rent-now

Rent More, Save More! Use code: ECRENTAL

5% off 1 book, 7% off 2 books, 10% off 3+ books

9780823231478

Not Even Past Race, Historical Trauma, and Subjectivity in Faulkner, Larsen, and Van Vechten

by
  • ISBN13:

    9780823231478

  • ISBN10:

    082323147X

  • Format: Hardcover
  • Copyright: 2009-11-02
  • Publisher: Fordham University Press
  • Purchase Benefits
List Price: $55.00

Summary

Not Even Past highlights references to nineteenth-century U.S. slavery and anti-Black racism in literary and photographic projects begun during the late 1920s and early 1930s, including novels by William Faulkner and Nella Larsen, and portraits by Carl Van Vechten. These texts share a representational crisis, in which distinctions between present, quotidian racism and a massive, fully racialized historical trauma disappear. All identify persistent historical traumatization with intense subjective states (including madness, religious ecstasy, narcissism, and fetishistic enjoyment), and each explores the conservative, even coercive social character of such links between psyche and history. When the past of enslavement is "not even past," narration freezes, black and white women lose their capacity to question or resist social and domestic violence, and racial politics fail.Anticipating contemporary trauma studies by decades, these disparate modernists' works constitute not an expounded or avowed but an interstitial trauma theory, which finds its shape in the spaces left by conventional public discourse. Their works parallel important essays by psychoanalytic thinkers of the same era, including Joan Riviere, Sigmund Freud, Melanie Klein, and Walter Benjamin, and their joint explication of relationships among psyche, history, and race offers important resources for psychoanalytic approaches to racial difference today. Despite their analytic acuity, however, Faulkner, Larsen, and Van Vechten also themselves carry the traumatic past forward into the future. Indeed, the two novelists' tragic depictions of a triumphant color line and the photographer's insistence on an idiom of black primitivism lent support to white supremacy in the twentieth century. Yet even in their very failure, three U.S. modernists tell us that it is not enough simply to exercise critical acuity on the marks of past violence. Reading, however masterly, cannot interrupt a history in the midst of repeating itself; it can only itself reiterate the disaster.

Author Biography


DOROTHY STRINGER teaches at Temple University.

Table of Contents

List of Figuresp. vi
Acknowledgmentsp. vii
Introductionp. 1
"Little Black Man": Repetition, the Lesbian Phallus, and the Southern Rape Complex in Sanctuaryp. 22
"Which Tooth Hit You First?": Nation, Home, Women, and Violence in Requiem for a Nunp. 44
"Anyone with Half an Eye": Blackness and the Disaster of Narcissism in Quicksandp. 66
"A Having Way": Fetishism and the Black Bourgeoisie in Passingp. 88
"To Glorify the Negro": Photographic Shock and Blackness in Carl Van Vechten's Portraiturep. 109
Conclusionp. 137
Notesp. 145
Bibliographyp. 157
Indexp. 173
Table of Contents provided by Ingram. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program