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Contents | |
Preface | |
The Labyrinths of Aesthetics: The problems of aesthetics | |
The fetishes of aesthetics | |
The myths of aesthetics | |
The fears of aesthetics | |
On Aesthesis: Demarcating aesthetics | |
Basic categories for aesthetic analysis | |
Conditions of possibility of aesthesis: the a priori | |
The phenomenology of aesthesis: aesthetic latching-on and latched-by | |
Towards Prosaics: Prosaics and poetics | |
The tangents of prosaics | |
The nutrients of prosaics | |
The play of culture | |
The horizons of prosaics | |
Semio-Aesthetics: Thresholds of semiotic perception: sensation, discernment and regard | |
The axis of the signic | |
The axis of the symbolic | |
Comparative view of both axes: the symbolic and the signic | |
The non axis of the obtuse | |
Beyond semiosis to aesthesis | |
Aesthetic enunciation and its dialogical character | |
Octodic Model for Aesthetics Analysis: Rhetoric and its registers | |
Dramatics and its modalities | |
The rhetoric-dramatic coupling | |
Con-formations of the rhetoric-dramatic coupling | |
Matrixes and Identities: The matrixes: a general approach | |
Diachronic and synchronic perspective of cultural matrixes | |
The family matrix | |
The religion matrix | |
The school matrix | |
The medical matrix | |
The occultist matrix | |
The arts matrix | |
Conclusions | |
Glossary | |
References | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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