Everything Seemed Possible : Art in the 1970s

by Richard Cork

• ISBN13: 9780300095081
• ISBN10: 0300095082
• Format: Trade Paper
• Copyright: 2003-05-11
• Publisher: Yale University Press

Table of Contents

Author's Biography	x
Acknowledgements	xi
Introduction	1	(34)
New Blood	35	(150)
Bruce McLean 5 November 1971	36	(3)
Gilbert and George 9 December 1971	39	(4)
Klaus Rinke 20 January 1972	43	(3)
William Wegman and David Lamelas 11 February 1972	46	(4)
Dan Graham 16 March 1972	50	(3)
Douglas Huebler and W. Knoebel 6 April 1972	53	(2)
Mel Bochner 13 April 1972	55	(3)
David Dye and Alan Charlton 4 May 1972	58	(4)
Dennis Oppenheim and John Davies 14 July 1972	62	(3)
Keith Milow and Bill Woodrow 10 August 1972	65	(4)
The New Art 17 August 1972	69	(4)
The Berlin Scene and Niele Toroni 9 November 1972	73	(4)
Richard Long 1 February 1973	77	(3)
Daniel Buren 29 March 1973	80	(2)
Braco Dimitrijevic, David Tremlett and Richard Wentworth 7 June 1973	82	(4)
Michael Craig-Martin 21 June 1973	86	(3)
Ad Dekkers and Michael Asher 13 September 1973	89	(3)
Art-Language and John Stezaker 1 November 1973	92	(4)
Judy Clark (not published) 20 December 1973	96	(1)
Conrad Atkinson 25 April 1974	97	(3)
Five Dutch Artists 29 August 1974	100	(3)
Nice Style 17 October 1974	103	(4)
Art and Politics in Germany 7 November 1974	107	(3)
Tim Head 16 January 1975	110	(3)
Art and Architecture 27 February 1975	113	(4)
John Hilliard 10 April 1975	117	(4)
Boyd Webb and Other Debuts 24 July 1975	121	(3)
The Italian Avant-Garde and Palladio 28 August 1975	124	(4)
Steve Willats 16 October 1975	128	(3)
Charlie Hooker: The Plight of the New 31 December 1975	131	(4)
Victor Burgin 12 February 1976	135	(4)
Countdown to a Milanese Opening 4 March 1976	139	(3)
Daniel Buren and Tony Bevan 11 March 1976	142	(4)
Hans Haacke 15 April 1976	146	(3)
The Emergence of British Video Art 3 June 1976	149	(4)
`Environment' at the Venice Biennale 22 July 1976	153	(5)
Simon Read 26 August 1976	158	(3)
Mary Kelly and David Dye 14 October 1976	161	(4)
Terry Atkinson 10 February 1977	165	(4)
Alexis Hunter 17 February 1977	169	(4)
Susan Hiller 17 March 1977	173	(4)
Art from France 30 April 1979	177	(4)
Stuart Brisley in Performance 21 May 1981	181	(4)
Staying Power	185	(102)
Sol LeWitt 1 July 1971	186	(3)
Bernd and Hilla Becher 21 January 1975	189	(3)
Mario Merz 11 May 1972	192	(3)
Carl Andre 18 May 1972	195	(3)
Marcel Broodthaers 19 June 1975	198	(4)
Robert Ryman 14 December 1972	202	(2)
John Latham 24 June 1976	204	(4)
Dan Flavin (not published) 20 December 1973	208	(2)
Tadeusz Kantor 23 September 1976	210	(5)
Don Judd 31 January 1974 and 2 October 1975	215	(2)
Eva Hesse 24 October 1974	217	(4)
Howard Hodgkin 20 May 1976	221	(3)
Patrick Caulfield and Robert Mangold 18 December 1975	224	(5)
James Rosenquist and American Tradition 5 December 1974	229	(4)
Richard Hamilton 17 March 1970	233	(3)
Joe Tilson 23 March 1970	236	(3)
R. B. Kitaj 28 April 1970	239	(4)
David Hockney 14 April 1970	243	(3)
Richard Smith 21 August 1975	246	(4)
Bruce Lacey and the Living-Room 20 October 1970	250	(3)
Claes Oldenburg 30 June 1970	253	(3)
Ed Kienholz 4 June 1971	256	(4)
Bill Brandt 12 May 1970	260	(4)
George Rodger 5 September 1974	264	(3)
Kenneth Martin 22 May 1975	267	(3)
A Sculptor's Poems 3 July 1975	270	(4)
Late Hepworth 17 February 1970	274	(2)
Barnett Newman 6 July 1972	276	(3)
Man Ray 24 April 1975	279	(3)
Yves Klein and Piero Manzoni in Retrospect 15 March 1974	282	(5)
Interview	287	(6)
A Visit to Bacon's Studio 4 October 1971	288	(5)
Galleries and Alternative Spaces	293	(70)
The State of the Tate March 1969	294	(3)
Unity and Meaning at Kettle's Yard 11 February 1971	297	(5)
Confronting the Gallery Network 21 October 1971	302	(3)
The Whitechapel's Future 27 January 1972	305	(4)
Art on a Billboard 18 February 1972	309	(2)
New Art at the Tate 9 March 1972	311	(3)
Critical Conditioning 15 June 1972	314	(4)
Broadening Art's Audience 6 September 1973	318	(3)
Opposing Entry Charges 6 December 1973	321	(4)
The National Gallery's Wider Role 12 June 1975	325	(3)
Endangering Education at the Tate 7 August 1975	328	(4)
Museums and Society 23 October 1975	332	(4)
An Alternative Space 13 May 1976	336	(3)
Imprisoning Artists' Books 19 August 1976	339	(3)
American Indian Blues 7 October 1976	342	(4)
A Demoralising Cut 11 November 1976	346	(5)
Art for the Blind 18 November 1976	351	(4)
Crumbs from the Queen's Table 7 February 1977	355	(4)
The First Hayward Annual 26 May 1977	359	(4)
Sounding the Alarm	363	(68)
The Decline of the Radical Cartoon 19 May 1970	364	(3)
The Need to Display Art with Flair 26 November 1971	367	(3)
The Art College Malaise 22 June 1972	370	(4)
The Political Manipulation of Art 4 January 1973	374	(4)
Summer Charade at the RA 4 May 1973	378	(4)
London's Failure and the Future of the Tate 3 January 1974	382	(4)
Damning the Arts Council 21 February 1974	386	(3)
William Roberts: Blasting Vorticism 28 March 1974	389	(4)
Architecture without Architects 12 September 1974	393	(3)
Ignoring Adventurous New Art 2 January 1975	396	(4)
Televising Art 6 March 1975	400	(3)
The Importance of Video 8 May 1975	403	(3)
A Narrow View of Sculpture 5 June 1975	406	(3)
Art and Money 26 June 1975	409	(4)
Crisis of Identity in Greek Art 4 December 1975	413	(4)
The Role of the Art Magazine 17 June 1976	417	(3)
Art and Deprivation 1 July 1976	420	(4)
Film Poster Overkill 6 September 1977	424	(7)
Disappointments	431	(34)
The Fallacy of Kinetic Art 30 September 1970	432	(3)
Medley's Dilemma 26 March 1971	435	(3)
Robert Morris 30 April 1971	438	(3)
Robyn Denny 22 March 1973	441	(4)
Photo-Realism 12 April 1973	445	(2)
Edward Burra 24 May 1973	447	(4)
Duncan Grant 13 March 1975	451	(3)
L. S. Lowry 9 September 1976	454	(4)
Dissident Soviet Art 27 January 1977	458	(4)
A Spurious Simplicity 8 October 1979	462	(3)
Finale	465	(10)
Extending the Tate July 1979	466	(9)
Index	475	(8)
Credits	483