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Introduction | p. 1 |
Shifting Ideologies in Chateaubriand's Epic Les Natchez | p. 25 |
Victor Hugo and the Other as Divided Self Bug-Jargal | p. 45 |
Flaubert's Salammbo and the Subversion of Meaning | p. 63 |
Exotic Polyphony: Victor Segalen and Les Immemoriaux | p. 83 |
Conclusion | p. 105 |
Bibliography | p. 113 |
Index | p. 121 |
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