List of Figures | p. ix |
Preface | p. xi |
Introduction: Death Acts (Survival Acts) | p. 1 |
Modes of Engagement: Post-Shingeki's Edge | p. 13 |
No Holds Barred: Betsuyaku Minoru and the paradoxes of Total Commitment | p. 15 |
Terayama Shuji: Gender, Power, and the Imperative Voice | p. 36 |
Blindness and the Visuality of Desire | p. 56 |
Intersubjective Spaces, Communal Dreams | p. 74 |
Theories of Encounter | p. 95 |
Theories of Encounter: Breaking the Everyday | p. 97 |
Imaginations of Return: Film, Buto, Photography | p. 127 |
X Marks the Spot: Experimental Film Crossings | p. 129 |
On Homecoming: Hijikata's Writings and Buto | p. 158 |
The Provoke Era: New Languages of Japanese Photography | p. 180 |
Conclusion: Counterfeit Coins/Phantasms | p. 201 |
Notes | p. 219 |
Bibliography | p. 257 |
Index | p. 267 |
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