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9780582291379

Experimental Phonetics: An Introduction

by
  • ISBN13:

    9780582291379

  • ISBN10:

    0582291372

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2000-05-26
  • Publisher: Routledge

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Summary

Traditionally, investigations into speech and pronounciation have relied on the unaided skills of the phonetician in recognising and reproducing speech sounds. But many practicioners are now using instruments to gain a greater understanding of speech and to be able to analyse speech patterns in situations when speaking and hearing would otherwise be inaccessible without the use of these instruments. This new book looks at how this form of investigation has developed, and considers the types of data that can be used and which questions can be solved using experimental phonetics.

Author Biography

Katrina Hayward is a Lecturer in Indonesian and Linguistics at the School of Oriental and African Studies, University of London.

Table of Contents

Author's acknowledgements xiv
Publisher's acknowledgements xv
Introduction: impressionistic phonetics and experimental phonetics
1(19)
What is experimental phonetics?
1(1)
Impressionistic phonetics
2(4)
Assumptions
3(1)
Methodology
4(2)
The scope of experimental phonetics
6(3)
The representation of speech sounds
9(8)
Segments and phonemes
10(1)
Mental representations
11(6)
Experimental phonetics and the structure of sound systems
17(1)
The structure and scope of this book
18(1)
Further reading
18(2)
Note
19(1)
The nature of sound
20(29)
Introduction
20(1)
Sound waves
20(8)
Describing a simple sound wave
21(2)
From movements to pressures
23(3)
Sound waves in space
26(1)
Some definitions
26(2)
Types of sound waves
28(2)
The structure of sound waves
30(11)
Specifying sound waves
32(3)
The spectrum
35(1)
Generating some vowel-like waveforms
36(2)
Spectra of aperiodic sounds
38(3)
Scaling and the spectrum
41(6)
Amplitude, power and intensity
43(1)
The decibel scale
44(2)
The octave scale
46(1)
Summary
47(1)
Further reading
48(1)
Notes
48(1)
Analysing sound: the spectrograph
49(30)
Introduction
49(1)
Spectrography
49(14)
Basic principles
49(5)
An example spectrogram
54(2)
Narrow band spectrograms
56(1)
Pre-emphasis
57(3)
Two-dimensional spectra
60(1)
Supplementary displays: waveform, intensity and fundamental frequency
61(2)
Recording
63(8)
Recording as translation
63(1)
Fidelity
64(2)
Digital recording
66(2)
Sampling rate
68(1)
Quantisation
68(3)
Digital spectrography
71(6)
Recording for analysis
71(1)
Calculating the power spectrum
72(4)
Determining fundamental frequency (F0)
76(1)
Summary
77(1)
Further reading
78(1)
The acoustics of speech production
79(26)
Introduction
79(1)
Modelling a simple vowel
80(6)
The voice source
80(1)
The vocal tract filter
81(1)
The concept of filter
81(1)
Formant frequencies
82(2)
Combining source and filter
84(1)
The radiation function
84(1)
Comparison with a spoken vowel
84(2)
Varying the voice source
86(2)
Varying the vocal tract filter
88(10)
Simple models for three vowels
91(3)
More realistic models of vowel articulation
94(1)
A general model of vowel production
94(3)
Phonological implications of modelling
97(1)
Estimating filter characteristics: linear predictive coding
98(1)
Extending the source-filter approach to other classes of speech sounds
99(4)
Nasals, laterals and nasalised vowels
99(3)
Obstruent consonants
102(1)
Summary
103(1)
Further reading
104(1)
Notes
104(1)
Perception and hearing
105(41)
Introduction
105(2)
From acoustic signals to perceptual objects: the search for acoustic cues
107(17)
An example: Voice Onset Time
107(7)
The problem of lack of invariance
114(1)
Is speech special?
115(1)
Categorical perception
116(1)
Multiple cues and trading relations
117(4)
Duplex perception
121(1)
Bimodal perception
121(1)
Arguments against the specialness of speech
122(2)
Theories of speech perception
124(6)
The Motor Theory
124(1)
Direct Realism
125(1)
The Fuzzy Logical Model
126(1)
Strong theories relating the acoustic signal to phonological features
127(1)
Non-analytic approaches
128(2)
Hearing
130(10)
Structure of the auditory system
131(1)
Spectra in the auditory nerve
132(2)
Voiceless fricatives
134(2)
Vowels
136(1)
The VOT boundary
137(2)
Adaptation
139(1)
Psychophysics and the auditory spectrograph
140(3)
Scales of frequency based on auditory filters
140(3)
Auditory spectra
143(1)
Conclusion
143(2)
Further reading
145(1)
Note
145(1)
The acoustic description of vowels
146(28)
Introduction
146(1)
Formant frequencies and the vowel quadrilateral
147(4)
The rounding dimension
149(2)
Central vowels
151(1)
Formant frequencies and vowel charts: the problem of psychological reality
151(1)
The spectral integration hypothesis
152(6)
Integration of F2 with other formants
156(1)
A role for F0?
157(1)
A system of binary features for vowels?
158(1)
The traditional vowel quadrilateral revisited
159(1)
Other dimensions of vowel classification
160(7)
Nasalised vowels
161(2)
Advanced Tongue Root (ATR) vowels
163(3)
Rhoticity and pharyngealisation
166(1)
Diphthongs
167(1)
Alternative approaches to vowel quality
167(2)
The problem of normalisation
169(1)
Predicting the structure of vowel systems
170(2)
Summary
172(1)
Further reading
173(1)
The acoustic description of consonants
174(34)
Introduction
174(1)
General concepts
175(2)
Intervals and transitions
175(1)
Acoustic dimensions in the description and classification of consonants
176(1)
Acoustic boundaries and consonants
177(1)
Stop consonants
177(13)
General characteristics of stop consonants
177(1)
Voicing and aspiration
178(2)
Place of articulation
180(1)
Stop bursts
180(4)
Formant transitions
184(2)
Spectral templates as invariant cues
186(4)
Fricatives
190(3)
Affricates
193(1)
The fricative-affricate contrast
194(1)
Phonological contrasts involving voicing in obstruents
195(2)
Sonorant consonants
197(7)
Nasals
197(2)
Semivowels
199(1)
Lateral approximants (L-sounds)
199(3)
Rhotics (R-sounds)
202(1)
An overview of manner contrasts involving sonorants
203(1)
Acoustic phonetics and the structure of consonant systems
204(3)
Further reading
207(1)
Notes
207(1)
Speech production
208(52)
Introduction
208(2)
The airstream
210(9)
Principles of air flow
211(1)
Respiratory function in speech
212(4)
Measuring and quantifying pressure and flow
216(1)
Pressure
216(1)
Flow
217(2)
The larynx and the vocal folds
219(26)
A simple description of the larynx
220(2)
Vocal fold vibration
222(3)
Aerodynamics of vocal fold vibration
225(1)
Experimental investigation of the larynx
226(1)
The laryngeal setting
226(1)
Direct observation
226(1)
Imaging
227(1)
Electromyography
228(1)
More indirect methods for monitoring vocal fold activity
229(1)
Inverse filtering
229(1)
Photoelectric glottography
230(1)
Electroglottography (electrolaryngography)
230(4)
Acoustic measures of phonation types
234(1)
Models of vocal fold vibration and features of the larynx
235(3)
Control of fundamental frequency
238(1)
Control of voicing in obstruents
239(1)
Problems of maintaining voicing: aerodynamic aspects
239(1)
Strategies for maintaining and inhibiting voicing
240(5)
Articulation
245(7)
Imaging techniques
245(1)
Point-tracking techniques
246(2)
Palatography
248(1)
Identifying articulatory dimensions: the case of vowels
249(3)
Wider issues: relating phonological representations to speech production
252(6)
Further reading
258(2)
Appendix: An overview of impressionistic-phonetic classification 260(16)
A.1 Preliminaries: air flow in the vocal tract
260(3)
A.2 Consonants
263(7)
A.2.1 Sonorants and obstruents
263(2)
A.2.2 The place dimension
265(1)
A.2.3 The manner dimension
266(2)
A.2.4 Simultaneous and sequential articulations
268(1)
A.2.5 Non-pulmonic consonants
268(2)
A.2.6 Refinements
270(1)
A.2.7 Impossible and unattested sound types
270(1)
A.3 Vowels
270(3)
A.3.1 Dimensions of vowel classification
271(1)
A.3.2 Refinements
272(1)
A.3.3 Diphthongs
273(1)
A.4 Suprasegmentals (prosodic features)
273(2)
A.5 Using the IPA
275(1)
A.6 Further reading
275(1)
Bibliography 276(14)
Index 290

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