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9780631203568

Explorations in Theology and Film An Introduction

by ;
  • ISBN13:

    9780631203568

  • ISBN10:

    0631203567

  • Edition: 1st
  • Format: Paperback
  • Copyright: 1997-12-08
  • Publisher: Wiley-Blackwell

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Summary

Explorations in Theology and Film brings together theologians, biblical scholars, film and media specialists, and experts in language and literature to consider the potential of film to contribute to contemporary theological discussion. The focus of the book is on the creative conversation between film and theology in the contemporary West, and it raises crucial questions about the interaction between theology and culture. Explorations in Theology and Film will be an invaluable resource to students and those researching in the areas of theology, religion as well as media and cultural studies. The first part considers introductory questions covering methodological and theoretical issues. The next and most substantive part of the book is devoted to an evaluation of particular films, including Dead Poets Society, the Terminator films, Awakenings, The Piano and the films of Martin Scorsese. In the third part the importance, as well as the pitfalls of the exercise are subject to critical scrutiny. The book also contains an extensive bibliography and annotated resource section.

Author Biography

Clive Marsh lectures in theology, religious and cultural studies at the University College of Ripon and York St. John, England, and in the Biblical Studies Department of the University of Sheffield. His interests include the history of quests of the historical Jesus, and modern and contemporary systematic theology. He is currently working on a book on Christology, using art and film as resource material.

Gaye Ortiz lectures in theology, religious and cultural studies at the University College of Ripon and York St. John, England, and is a media writer and broadcaster, specializing in theology and the media. She is a member of the Catholic Theological Association of Great Britain and a founder member of the Leeds Diocesan Media Commission. As a member of ICOC (the International Catholic Organisation for Cinema) she has served on international film festival juries, twice as jury president. Together with Stephen Brown she has co-ordinated Faith and Film for the Leeds International Film Festival.

Table of Contents

List of Contributors
List of Plates
Introduction
Film, Movies, and Meanings
Film and Theologies of Culture
The Uses of Film in Theology
From Domination to Mutuality in The Piano and in the Gospel of Mark
The Drama of Salvatin in George Stevens's Shane
Edward Scissorhands: Christology from a Suburban Fairy-tale
Redeeming Violence in the Films of Martin Scorsese
Liberation in Awakenings
Jesus Christ Movie Star: The Depiction of Jesus in the Cinema
The Terminator Movies: Hi-Tech Holiness and the Human Condition
Stuck in Time: Kairos, Chromos, ad the Flesh in Groundhog Day
Moral Ambiguity and Contradiction in Dead Poets Society
Between Eden and Armageddon: Institutions, Individuals, and Identification the the Mission, the Name of the Rose, and Priest
The Spirituality of Shirley Valentine
Did You Say "Grace"?: Eating in Community in babette's Feast
Optimism, Hope, and Feelgood Movies: The Capra Connection
On Systematizing the unsystematic?: A response
Theology Beyond the Modern and the Postmodern: A Future Agenda for theology and Film
Annotated bibliography
Index of Biblical references
Film Index
General Index
Table of Contents provided by Publisher. All Rights Reserved.

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