Acknowledgments | p. ix |
Introduction: Fashion Shows | p. 1 |
Fashioning Film | p. 14 |
Costume Design, or, What Is Fashion in Film? | p. 17 |
What to Wear in a Vampire Film | p. 40 |
Noir Fashion and Noir as Fashion | p. 54 |
Surface, Fabric, Weave: The Fashioned World of Wong Kar-wai | p. 83 |
Filming Fashion | p. 106 |
The Walkies: Early French Fashion Shows as a Cinema of Attractions | p. 110 |
Wanting to Wear Seeing: Gilbert Adrian at MGM | p. 135 |
ôIt will be a magnificent obsessionö: Femininity, Desire, and the New Look in 1950s Hollywood Melodrama | p. 160 |
Adornment in the Afterlife of Victorian Fashion | p. 181 |
Sofia Coppola's Marie Antoinette: Costumes, Girl Power, and Feminism | p. 203 |
Fashioning National Identities | p. 232 |
Slave to Fashion: Maculinity, Suits, and the Maciste Films of Italian Silent Cinema | p. 236 |
The Stars and Stripes in Fashion Films | p. 260 |
Does Dress Tell the Nation's Story? Fashion, History, and Nation in the Films of Fassbinder | p. 281 |
Subversive Habits: Minority Women in Mani Ratnam's Roja and Dil Se | p. 301 |
Epilogue: After Fashion | p. 320 |
Un-Fashionable Age: Clothing and Unclothing the Older Woman's Body on Screen | p. 322 |
List of Contributors | p. 345 |
Index | p. 349 |
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