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Introduction | |
A Note on the Conference | |
A Historian Looks at Faulkner the Artist | p. 3 |
William Faulkner and Robert Penn Warren as Literary Artists | p. 22 |
Faulkner, Home, and the Ocean | p. 41 |
Cracked Urns: Faulkner, Gender, and Art in the South | p. 51 |
The Scene of Writing and the Shape of Language for Faulkner When "Matisse and Picasso Yet Painted" | p. 82 |
William Faulkner and the Meaning of Architecture: The Greek Revival of Yoknapatawpha | p. 110 |
Recovering the Teller in the Tale: An Unfinished Project | p. 141 |
"Paradoxical and Outrageous Discrepancy": Transgression, Auto-Intertextuality, and Faulkner's Yoknapatawpha | p. 161 |
Pylon, Joyce, and Faulkner's Imagination | p. 181 |
The Signifying Eye: Faulkner's Artists and the Engendering of Art | p. 208 |
The Complex Art of Justice: Lawyers and Lawmakers as Faulkner's Dubious Artist-Figures | p. 250 |
"Longer than Anything": Faulkner's "Grand Design" in Absalom, Absalom! | p. 269 |
The Ephemeral Instant: William Faulkner and the Photographic Image | p. 294 |
Uncle High Lonesome | p. 318 |
Whispers in the High Lonesome | p. 333 |
Contributors | p. 339 |
Index | p. 343 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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