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9781845193270

Fictional Thinking A Poetics and Rhetoric of Fictional Creativity in Theatre

by
  • ISBN13:

    9781845193270

  • ISBN10:

    184519327X

  • Format: Paperback
  • Copyright: 2009-08-24
  • Publisher: Sussex Academic Press
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Summary

This book offers a theory of the archaic mode of fictional thinking and a methodology for the analysis of fictional worlds. It presupposes the mutual independence of the description of a fictional world, in any language or medium, and the described fictional world. Such a world is generated by an autonomous fictional structure, which reflects the spontaneous expectations of the spectator, and thematic specification. A model of this structure is presented, comprising seven layers: personified, mythical, praxical, naiuml;ve, ironic and aesthetic -- and overriding these layers, the fictional experience on the level of relationship between the fictional world and spectator. This experience depends on the spectator's ability to complement such a description with pertinent associations, drawn from shared cultural resources, and psychical mechanisms of response. Explanations and examples are couched in poetic, pragmatic, aesthetic and rhetoric methodologies. An Introduction surveys the major contributions made to a methodology of fictional analysis since Aristotle's Poetics, problematises them and suggests possible alternatives. Part I is devoted to the inner structure of fictional worlds; i.e., to the poetic rules that generate them. The innovation of this approach lies in its multi-layered nature. Part II deals with the structure of the fictional experience, which is metaphoric and rhetoric in nature. Part III deals with the specific structures of fictional worlds that reflect the particular intentions and purposes of their authors. Part IV contains analyses of actual fictional worlds that illustrate the application of the previously presented principles. The focus throughout is on theatre fictional worlds which by their nature exhibit the most complex fictional thoughts that the human brain can generate. The theoretical insights gained for theatre assumedly apply to descriptions of such worlds in any language or medium. More than a hundred fictional worlds created during 2500 years of theatre recorded history are analysed. The volume has been purposefully designed to address undergraduate and postgraduate student needs to provide a fundamental competence of theatre studies.

Table of Contents

Introduction
State of the Art & Perspectives
The Nature of Fictional Worlds
The Mythical Layer
The Praxical Layer
The NaÔve Layer
The Ironic Layer
The Modal Layer
The Aesthetic Layer
Structure of Character
Characterisation & Credibility
Intertextual Relations
Fictional Interaction
Fictional Time & Place
Metaphoric Structure
Allegoric Structure
Rhetoric Structure
Spectator's Complementation
Hamartia / Catastrophe Structure
Virtue / Villainy Structure
Hamartia & Christianity
Absurdist Structure
Structure of Conflict
Ritual Experience & Truth
Anti-Aristotelian Poetics
Generic Transformation: The Hippolytus-Phaedra
Generation of Life is a Dream from Oedipus the King
Deconstruction of Archetypal Characterisation in The Seagull
The Chairs in Performance
Index
Table of Contents provided by Publisher. All Rights Reserved.

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