| Preface | |
| Acknowledgements | |
| List of Illustrations | |
| Introduction: An Irish Monument in a Foreign Field: The Changing Configurations of Irish Studies 1900-2005 | p. 1 |
| Strumpet City in Post-modern Times: The Return of the Oppressed? | p. 9 |
| Cinema, City and Imaginative Space: 'Hip Hedonism' and Recent Irish Cinema | p. 37 |
| Topographies of Terror and Taste: The Reimagining of Belfast in Recent Cinema | p. 51 |
| Celtic Cities, Celtic Landscapes | p. 68 |
| Haunted Landscapes and the Irish West | p. 79 |
| December Bride: A Landscape Peopled Differently | p. 96 |
| Settling Old Scores? Religion, Secularisation and Recent Irish Cinema | p. 111 |
| The Political Power of the Feisty Colleen: Contradiction in the Screen Persona of Maureen O'Hara | p. 127 |
| Irish Soundscapes: Hybridity and National Musics (with Noel McLaughlin) | p. 143 |
| Rootedness and Transcendence: Van Morrison's Belfast | p. 165 |
| Irish Soundscapes: Punk Music and the Political Power of 'What-Might-Have-Been' | p. 173 |
| Representing the Unionists | p. 187 |
| Bibliography | p. 205 |
| Index | p. 210 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
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