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9780943728995

Film Production : The Complete Uncensored Guide to Filmmaking

by
  • ISBN13:

    9780943728995

  • ISBN10:

    0943728991

  • Format: Trade Paper
  • Copyright: 1999-02-01
  • Publisher: Lone Eagle
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Summary

The fastest growing segment of the film business is the production and distribution of small, lower budget, independently financed films. Too much of what passes for movie making instruction is either an empty pep talk or a collection of impractical generalities. Film Production cuts through the fluff and provides the reader with the real-world facts about producing. Topics covered include: pre-production; principal photography; post-production; distribution; script structure and dialogue; raising money; limited partner ships; scheduling and budgeting; cast and crew; production equipment; editing; scoring; publicity; festivals; foreign distribution; video and more.

Table of Contents

ACKNOWLEDGMENTS X(1)
INTRODUCTION XI
PRE-PREPRODUCTION 3(30)
1 / SCRIPT
3(14)
writers
4(2)
idea
6(1)
structure
7(3)
character
10(1)
dialogue
11(1)
low-budget rules
12(2)
blood, sex & action
14(1)
shooting script
15(2)
2 / MONEY
17(16)
investors
17(2)
selling your dream
19(2)
corporations
21(1)
limited liability company
22(1)
limited partnership
22(2)
foreign financing
24(2)
bank loans
26(2)
grants
28(1)
credit cards
29(1)
by any means necessary
30(3)
PREPRODUCTION 33(86)
3 / SCHEDULE
33(4)
timetable example
33(1)
breakdown & shooting schedule
34(2)
shooting strategy
36(1)
4 / BUDGET
37(9)
preparation
37(1)
arbitrary sample budgets
38(7)
deferrals
45(1)
5 / PAPERWORK
46(7)
insurance
46(3)
permits
49(1)
releases
50(3)
6 / SPACE
53(5)
locations
53(3)
stages
56(1)
offices
57(1)
7 / CAST
58(17)
casting directors
58(1)
trolling for talent
59(4)
auditions
63(3)
recognizable names
66(2)
SAG
68(2)
non-SAG
70(2)
minors
72(1)
extras
72(1)
rehearsals
73(2)
8 / CREW
75(13)
writer, director, & producer
78(1)
more producers
79(1)
unit production manager & assistant director
80(1)
cinematographer & assistants
81(1)
editor
82(1)
production design
83(1)
sound
84(1)
script supervisor
84(1)
gaffer & electricians
85(1)
grips
85(1)
make-up & hair
86(1)
wardrobe
86(1)
production assistants
87(1)
9 / FOOD
88(2)
10 / STOCK
90(9)
black & white, color
90(1)
35mm, Super 16mm, 16mm, video
91(2)
computing
93(2)
shopping
95(4)
11 / STUFF
99(9)
camera package
99(2)
dolly
101(1)
lighting / grip package
102(1)
truck & generator
103(1)
sound equipment
104(1)
expendables
104(1)
art department/set construction
105(1)
props
105(1)
wardrobe
106(1)
miscellaneous
106(2)
12 / LAB, PART 1
108(2)
13 / PUBLICITY, PART 1
110(4)
spreading the word, part 1
110(2)
stills
112(1)
free stuff
112(2)
14 / PREPRODUCTION GUT CHECK
114(5)
the day before
115(4)
PRODUCTION 119(32)
15 / MAKING A MOVIE
119(13)
a typical day
119(1)
producing
120(1)
assistant directing
121(1)
continuity
122(2)
speed
124(2)
sound
126(1)
special effects & stunts
127(4)
dailies
131(1)
16 / DIRECTING A MOVIE
132(9)
communication
133(2)
coverage
135(2)
shot lexicon
137(2)
style
139(2)
17 / SAVING A MOVIE
141(10)
pickups
141(1)
scheduling problems
142(2)
budget problems
144(2)
people problems
146(1)
wrap
147(4)
POST-PRODUCTION 151(24)
18 / PICTURE EDITING
151(6)
technique
151(2)
nonlinear
153(2)
linear
155(1)
"old school"
155(2)
19 / MUSIC
157(5)
composer
157(2)
prerecorded songs
159(3)
20 / SOUND EDITING
162(4)
dialogue
163(1)
effects & music
163(1)
mix
164(2)
21 / STOP!
166(4)
the road from here
166(4)
22 / LAB, PART 2
170(5)
sound revisited
170(1)
titles & opticals
171(1)
negative cutting
171(1)
prints
172(3)
DISTRIBUTION 175(50)
23 / PUBLICITY, PART 2
175(7)
press kits
175(1)
spreading the word, part 2
176(2)
marketing
178(4)
24 / FESTIVALS
182(7)
major fests
182(3)
the rest of the fests
185(4)
25 / DOMESTIC THEATRICAL
189(18)
the companies
190(6)
legalese
196(3)
miscellaneous ancillary
199(1)
The circuit
200(2)
money back
202(3)
four-walling
205(2)
26 / FOREIGN
207(5)
theatrical
207(3)
video
210(1)
television
210(2)
27 / DOMESTIC VIDEO
212(4)
28 / DOMESTIC TV & BEYOND
216(9)
basic
217(1)
premium
218(2)
new options
220(5)
POST-POST-PRODUCTION 225(2)
29 / REFLECTION
225(2)
APPENDIX 227(3)
INDEX 230(8)
ABOUT THE AUTHOR 238

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