Introduction | p. 7 |
The Nuts And Bolts Of Film: Editing And Mise En Scene | p. 9 |
The Long Take | |
Camera Movements and Angles | |
Dialectical Montage | |
Continuity Editing | |
Setting | |
Lighting | |
Acting | |
Symbols and Motifs | |
Auteur Theories | p. 19 |
The Policy of Auteurs | |
The Auteur Theory | |
Auteur Structuralism and some problems | |
Semiotics And Structuralism | p. 26 |
Ferdinand De Saussure | |
Charles Peirce | |
Roland Barthes | |
V I Propp and Christian Metz | |
Psychoanalysis | p. 33 |
Sigmund Freud | |
Jacques Lacan and Laura Mulvey | |
Feminism | p. 41 |
Female | |
Feminine | |
Feminist | |
The Canon and the Representation of Women | |
Queer Theory | p. 49 |
The Homosexual | |
Homosociality and Fratriarchy | |
Gays and Lesbians on Film | |
The Buddy Movie | |
Camp | |
Stars | p. 57 |
Production | |
Consumption | |
Genres | p. 63 |
Definitions | |
Problems | |
Models and histories of Genres | |
National Cinema | p. 72 |
Definitions and Problems Discussing National Cinema | |
A brief look at Australian Cinema | |
Film Movements And Genres | p. 80 |
An annotated listing from Anime to the Western | |
References | p. 91 |
Bibliography | |
Websites | |
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