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9780711259713

FilmQuake The Most Disruptive Films in Cinema

by Unknown
  • ISBN13:

    9780711259713

  • ISBN10:

    0711259712

  • Format: Paperback
  • Copyright: 2022-01-25
  • Publisher: Frances Lincoln
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Summary

Discover films that dared to be different, risked reputations and put careers in jeopardy. This is what happens when filmmakers take tradition and rip it up.
 
FilmQuake introduces 50 movies that shook the cinematic world, telling the fascinating stories behind their creation, reception and legacy.

From unbelievable developments in technology (Citizen Kane, 1941) to feminist triumphs (Wanda, 1970); films that kickstarted New Queer Cinema (Paris is Burning, 1990) to others that challenged lawmakers (A Short Film About Killing, 1988) – FilmQuake presents the movies that questioned boundaries, challenged the status quo and made shockwaves we are still feeling today.

From film's first innovators, people like the Lumière brothers, whose short film of a train arriving was reported to have terrified audiences in 19th century Paris, through iconoclasts like Sergei Eisenstein and Luis Buñuel, to titans of 20th century cinema like Alfred Hitchcock and Jean-Luc Godard, discover the stories behind the films which incontrovertably changed the course of cinema forever.

Into the modern day, this book examines how filmmakers have addressed themes of prejudice and inequality, from the Black Lives Matter movement and Jordan Peele's unmissable Get Out to Bong Joon-ho's cutting study of the lives of the wealthy in Parasite, as well as innovative new cinematic techniques emerging in films like 28 Days Later and Blair Witch Project.

In telling the history of cinema through the works that were truly disruptive, and explaining the context in which each was created, FilmQuake demonstrates the heart of modern film, which is to constantly question boundaries and challenge expectation.
 

This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields.

Also available is ArtQuake, which tells the stories of 50 pivotal works that challenged consensus and broke daring new ground in the world of art, inspiring shock and scandal as they did so, but ultimately cementing themselves as truly great works of modern art.

Author Biography

Ian Haydn Smith is a London-based writer. He is the update editor on 1001 Movies You Must See Before You Die and is the editor of BFI Filmmakers Magazine and Curzon Magazine. Ian is also the author of Selling the Movie: The Art of the Film Poster, The Short Story of Photography and Cult Filmmakers

Table of Contents

CHAPTER ONE: THE SHOCK OF THE NEW
 
The Arrival of a Train at La Ciotat Station (Louis and Auguste Lumière; France, 1895)
The Birth of a Nation (D.W. Griffith; US, 1915)
Within Our Gates (Oscar Micheaux; US, 1920)
Nosferatu: A Symphony of Horror (F.W. Murnau; Germany, 1922)
Nanook of the North (Robert Flaherty; US/France, 1922)
The Battleship Potemkin (Sergei Eisenstein; Soviet Union, 1925)
The Passion of Joan of Arc (Carl Theodor Dreyer; France, 1928)
 
CHAPTER TWO: A WORLD IN FLUX
 
L’Age d’Or (Luis Buñuel; France, 1932)
L’Atalante (Jean Vigo; France, 1934)
Triumph of the Will (Leni Riefenstahl; Germany, 1935)
The Great Dictator (Charles Chaplin; US, 1940)
Citizen Kane (Orson Welles; US, 1941)
Rome, Open City (Roberto Rosselini; Italy, 1945)
Rashomon (Akira Kurosawa; Japan, 1950)
Pather Panchali (Satyajit Ray; India, 1955)
The Seventh Seal (Ingmar Bergman; Sweden, 1957)
Some Like It Hot (Billy Wilder; US, 1959)
 
CHAPTER THREE: BREAKING ALL THE RULES
 
À bout de soufflé (Jean-Luc Godard; France, 1960)
Psycho (Alfred Hitchcock; US, 1960)
Victim (Basil Dearden; UK, 1961)
Cléo from 5 to 7 (Agnés Varda; France, 1962)
The Battle of Algiers (Gillo Pontecorvo; Italy, 1966)
Bonnie and Clyde (Arthur Penn; US, 1967)
2001: A Space Odyssey (Stanley Kubrick; US/UK, 1968)
Wanda (Barbara Loden; US, 1970)
Sweet Sweetback’s Baadasssss Song (Melvin Van Peebles; US, 1971)
Touki Bouki (Djibril Diop Mambéty; Senegal, 1973)
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (Chantal Ackerman; Belgium, 1975)
Jaws (Steven Spielberg; US, 1975)
Apocalypse Now (Francis Ford Coppola; US, 1979)
 
CHAPTER FOUR: INDEPENDENCE AND INDUSTRY
 
Fitzcarraldo (Werner Herzog; West Germany, 1982)
Shoah (Claude Lanzmann; France, 1985)
The Thin Blue Line (Errol Morris; US, 1988)
A Short Film About Killing (Krzysztof Kiewslowski, 1988)
Do the Right Thing (Spike Lee; US, 1989)
Paris is Burning (Jennie Livingston; US, 1990)
Daughters of the Dust (Julie Dash; US, 1991)
Terminator 2: Judgement Day (James Cameron; US, 1991)
Reservoir Dogs (Quentin Tarantino; US, 1992)                     
Chungking Express (Wong Kar-wai; Hong Kong, 1994)   
La Haine (Matthieu Kassovitz; France, 1995)
The Blair Witch Project (Daniel Myrick, Eduardo Sánchez; US, 1999)
 
CHAPTER FIVE: THE FUTURE IS UNWRITTEN
 
Russian Ark (Aleksandr Sokurov; Russia, 2002)
Brokeback Mountain (Ang Lee; USA, 2005)
United 96 (Paul Greengrass; US, 2006)
Tangerine (Sean Baker; USA, 2015)
Get Out (Jordan Peele; US, 2017)
Atlantics (Mati Diop; France/Senegal, 2019)
For Sama (Waad Al-Kateab, Edward Watts; UK/Syria/US, 2019)
Parasite (Bong Joon-ho; South Korea, 2019)
 
 

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