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Foreword | p. ix |
Acknowledgments | p. xiii |
Introduction | p. 1 |
Texts and Contexts | |
Style Development and Product Upgrading: Monogram Pictures, the Ambitious B Movie, and the East Side Kids Films Directed by Joseph H. Lewis | p. 11 |
Partition and Desire in the Films of Joseph H. Lewis | p. 38 |
The Joseph H. Lewis Nobody Knows: The Television Films | p. 62 |
Individual Works | |
"A House Where Anything Can Happen and Usually Does": Joseph H. Lewis, Bela Lugosi, and (The) Invisible Ghost | p. 81 |
B Is for Belief: Joseph Lewis's Experiments with the Mad Doctor of Market Street | p. 98 |
Joseph H. Lewis, Anna May Wong, and Bombs over Burma | p. 116 |
"People Can Think Themselves into Anything": The Domestic Nightmare in My Name is Julia Ross | p. 134 |
"A Matchless Stylist Exercise": Joseph H. Lewis and So Dark the Night | p. 146 |
The Undercover Man and the Police Procedural | p. 163 |
The "How Big Is It?" Combo: Noir's Dirty Spectacles | p. 178 |
The Halliday Brand and Terror in a Texas Town: Western Allegories of the Blacklist | p. 199 |
Gun Crazy | |
Rejecting Everything: Gun Crazy and the Radical Noir of Joseph H. Lewis | p. 223 |
Music, Masculinity, and Masochism in Gun Crazy | p. 242 |
Ethos and Ethics: Reconsidering Gun Crazy | p. 255 |
List of Contributors | p. 271 |
Index | p. 275 |
Table of Contents provided by Ingram. All Rights Reserved. |
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