With Gratitude | |
Acknowledgments | |
Preface | p. 1 |
Four for America: Williams, Pound, Stein, Brakhage | p. 45 |
Styles of English Metre | p. 45 |
Meaning and Personal Being: Pound and Brakhage | p. 64 |
The Seachange: Or, How Pound Came "To Break the Pentameter" | p. 69 |
Bergson, Hulme, Pound, and Brakhage on the Body and Energy | p. 75 |
Experience as Energy: A Pattern for Thinking | p. 100 |
First-Person Singular: Bergson, Hulme, and Brakhage on the Primacy of Individuality | p. 146 |
Between Self and World: The Image in Hulme, Williams, Brakhage | p. 157 |
Writing = Composing Sound's Energies, Filmmaking = Composing Light's Energies: Gertrude Stein and Stan Brakhage's Conceptions of Their Media | p. 212 |
Digressive Interpolation: The Persistence of Emerson's Vision in Stein's Writing and Brakhage's Filmmaking | p. 228 |
Out of Stein: A Theory of Meaning for Stan Brakhage's Films | p. 240 |
The Paradox of a Perlocutionary Semantics: Brakhage and Stein on Artistic Meaning | p. 261 |
The Romanticism of Brakhage's Conception of Meaning | p. 295 |
The Conception of the Body in Open Form Poetics and Its Influence on Stan Brakhage's Filmmaking | p. 309 |
D. H. Lawrence and the Poetics of Energy | p. 309 |
Two Crucial Influences on Embodied Poetics: A. N. Whitehead and Maurice Merleau-Ponty | p. 313 |
A. N. Whitehead's Project: Reconciling Permanence and Flux | p. 325 |
Olson's Energetics of Embodied Existence | p. 348 |
Michael McClure's Poetics: The Body Is an Organism. The Universe Is an Organism. A Poem Embodies an Aspect of the Universe's Evolving Form | p. 423 |
Allen Ginsberg: The Breath, the Voice, and the Poem | p. 432 |
Action Painting as Performance | p. 442 |
Glossary | p. 453 |
Notes | p. 473 |
Selected Bibliography | p. 533 |
Stan Brakhage Filmography | p. 545 |
Index | p. 555 |
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