Knotter | p. 11 |
Understand | |
Forgetting Mortality | p. 15 |
Employment | p. 16 |
A String Around Your Finger | p. 18 |
The Sounds of Those Faithful | p. 20 |
"Walk-ins Welcome" | p. 21 |
Trailer on Trailer on Trailer | p. 22 |
What I Don't Understand | p. 23 |
What the Road Said | p. 24 |
What the Eagle Said | p. 25 |
One Answer | p. 26 |
Universe | p. 27 |
Poems of This Size | |
Poems of This Size | p. 31 |
Carpe Diem | p. 32 |
The Boy Scout's Motto Explodes | p. 33 |
Black Hole | p. 34 |
20th-Century Skepticism, or, Another Idea Succumbs to Art and Truth | p. 35 |
Style | p. 36 |
Know | p. 37 |
Strengthening the Myth | p. 38 |
Editing Poems During a Hospital Deathwatch | p. 39 |
Measures | |
Measures | p. 43 |
Living Hands | p. 44 |
One Night in Lima | p. 48 |
1998: One Hundred Years Together | p. 49 |
Who Would Not Seek the Perfect Gesture of Love? | p. 51 |
Mortal Fathers and Daughters | |
Anything | p. 55 |
Death Tricks | p. 57 |
My Daughter Playing Beethoven on My Chest | p. 58 |
Notes from the Year of My Father's Dying | p. 60 |
Apology to My Daughters, 20 and 17 | p. 62 |
Called Forward | p. 64 |
My Daughters' Photograph as a Bookmark in Howl | p. 65 |
No Beauty | p. 68 |
Dirt | p. 70 |
To My Daughters at My Death | p. 71 |
Stone as Stone | |
Abjuring Political Poetry | p. 75 |
The Drive to Work | p. 76 |
Seattle Merry-Go-Round | p. 78 |
Two Views of Charles Burchfield's Six O'Clock: For Adults: Where the Painting Is | p. 80 |
For Children: The Painting Comes Home | p. 81 |
The Ghost of the Poet | p. 82 |
Emily Dickinson Considers Basketball | p. 83 |
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