Acknowledgments | |
Foreword | |
Introduction to the New Edition | |
Taking Issues | |
"Properly Speaking": The Need for Plain Talk about Folk Art | p. 13 |
The Politics of the Past in American Folk Art History | p. 27 |
Folk Painting Re-Examined | |
"A Correct Likeness": Culture and Commerce in Nineteenth-Century Rural America | p. 53 |
"Finished to the Utmost Nicety": Plain Portraits in America, 1760-1860 | p. 85 |
Folk Art in Context | |
The House on Penn Street: Creativity and Conflict in Folk Art | p. 123 |
The Folk Assemblage of Autumn: Tradition and Creativity in Halloween Folk Art | p. 151 |
Storing Contexts: The Brooklyn Giglio as Folk Art | p. 171 |
Consequences of Collection | |
The Role of Mexicano Artists and the Anglo Elite in the Emergence of a Contemporary Folk Art | p. 195 |
"Fame Don't Make the Sun Any Cooler": Folk Artists and the Marketplace | p. 225 |
Art by Fiat, and Other Dilemmas of Cross-Cultural Collecting | p. 243 |
Afterword | |
The Idea of Folk Art | p. 269 |
Contributors | p. 275 |
Index | p. 277 |
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