Abbreviations | |
Introduction | |
Fornalutx | p. 3 |
The Halo | p. 5 |
Vigil | p. 6 |
Fog | p. 7 |
No Exit | p. 8 |
Nominalist | p. 9 |
Redemption | p. 10 |
Stillness | p. 11 |
One View of Dead Fish | p. 12 |
Pigeons | p. 13 |
Ends | p. 14 |
The Black Tom | p. 15 |
Encounter | p. 16 |
On Being Bitten by a Dog | p. 17 |
Therapy | p. 18 |
The Lyric | p. 19 |
Still Life | p. 20 |
Molibos Cat | p. 21 |
Golfers | p. 22 |
Breakdown | p. 23 |
Nail Polish | p. 24 |
Beatitude | p. 25 |
Kore | p. 26 |
The Last Survivor | p. 27 |
Zoroastrian | p. 28 |
Political Economy | p. 29 |
Oil Slick on the Riviera | p. 30 |
Modern Greek Poet | p. 31 |
The Way of the World | p. 32 |
Music Hath Such Charms | p. 34 |
O Say Can You See | p. 35 |
The Way Keats Never Would Have Told It | p. 36 |
Dracula | p. 37 |
NBC: Late Night News | p. 38 |
Poet at Sinai | p. 39 |
My Eyes Have Seen the Glory | p. 40 |
The Lesson | p. 41 |
The Music of Energy | p. 42 |
The Hairy Monster | p. 43 |
Ambiguities of Conduct | p. 44 |
Runts | p. 45 |
Nazi Airman | p. 47 |
Eros | p. 48 |
Lust | p. 49 |
Aesthetic Cruelty | p. 50 |
Original Sin | p. 51 |
Mount Royal Cemetery | p. 52 |
Final Reckoning: After Theognis | p. 53 |
Hero of Babi Yar | p. 54 |
The Coming of the Messiah | p. 55 |
Maimonidean Perplexity | p. 57 |
The Violent Life | p. 58 |
Moutarde | p. 59 |
The Absurd Animal | p. 60 |
Silence | p. 61 |
A Spider Danced a Cosy Jig | p. 62 |
Veni, Vidi, Vinci | p. 63 |
O.B.E. | p. 64 |
Two Ladies at Traymore's | p. 65 |
At the Iglesia de Sacromonte | p. 66 |
Rose Lemay | p. 67 |
My Queen, My Quean | p. 68 |
Ville Marie | p. 69 |
Shlemihl | p. 70 |
Male Chauvinist | p. 71 |
Nepalese Woman and Child | p. 72 |
Apostate | p. 73 |
To the Woman with the Speaking Eyes | p. 74 |
Florence | p. 75 |
Piazza San Marco | p. 76 |
Beach Romance | p. 77 |
Injustice | p. 78 |
The New Breed | p. 79 |
Project | p. 80 |
Diverse Pleasures | p. 81 |
Neighbour Love | p. 82 |
Vin Ordinaire | p. 83 |
Free Djilas | p. 84 |
Flights | p. 85 |
Beutel's Name Is Inscribed for Eternal Life | p. 86 |
Anglo-Canadian | p. 87 |
The Petits Hommes | p. 88 |
Hurrah for the Elephant | p. 89 |
Elan | p. 90 |
Bacchanal | p. 91 |
The Glimpse | p. 92 |
Cleavages | p. 93 |
Street Violinist | p. 94 |
For Priscilla | p. 95 |
Individualists | p. 96 |
Ganymede | p. 97 |
How Poems Get Written | p. 98 |
Paul Verlaine | p. 99 |
Plaza de Toros | p. 100 |
The Investiture | p. 101 |
Bicycle Pump | p. 102 |
Peacemonger | p. 103 |
Calibrations | p. 104 |
Moral with a Story | p. 105 |
Dionysus | p. 106 |
Libido | p. 107 |
Summer Idyll | p. 108 |
The Gardener | p. 109 |
After the Chinese | p. 110 |
Aran Islands | p. 112 |
At the Alhambra | p. 113 |
The Fool's Song | p. 114 |
Ch'an Artist | p. 115 |
Woman and Poet | p. 116 |
Esthetique | p. 117 |
Whom I Write For | p. 118 |
For My Friend Who Teaches Literature | p. 120 |
Dudelus, Poetaster | p. 121 |
The Well-Wrought Urn | p. 122 |
T.S. Eliot | p. 123 |
Herzl | p. 124 |
On Seeing an Old Poet and His Wife | p. 125 |
Gathering of Poets | p. 126 |
The Camera Eye | p. 127 |
The Carved Nakedness | p. 129 |
Mexico as Seen by the Reverent Dudek | p. 130 |
Latria | p. 131 |
Pole-Vaulter | p. 132 |
Etruscan Tombs | p. 133 |
Androgyne | p. 134 |
Attending Suzanne's Funeral | p. 135 |
Bunt Offering | p. 136 |
When Death Says 'Come' | p. 137 |
The Final Memo | p. 138 |
Thanatos and Eros | p. 139 |
Death of a Construction Worker | p. 140 |
Street Funeral | p. 141 |
Smoke | p. 142 |
The Long Shade | p. 143 |
Obit | p. 144 |
The Final Coming | p. 145 |
When It Came to Santayana's Turn | p. 146 |
On the Death of Pope Paul VI | p. 147 |
Death Washes the Face of the World | p. 148 |
Cemetery in August | p. 149 |
Gift | p. 150 |
Beginnings and Other Starts | p. 151 |
Lake Selby | p. 152 |
Innocence | p. 154 |
Red Chokecherries | p. 155 |
Arachnid | p. 156 |
Old Men | p. 157 |
The Execution | p. 158 |
End of the Summer | p. 159 |
The Madonna of the Magnificat | p. 160 |
Index of Titles | p. 161 |
Index of First Lines | p. 167 |
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