Forms of Creative Nonfiction | |
Memoir | |
"Dumpling" | p. 13 |
"Out of the Garden" | p. 18 |
"Out There" | p. 32 |
"The Unwanted Child" | p. 37 |
"Independence Day, Manley Hot Springs, Alaska" | p. 48 |
"Silent Dancing" | p. 55 |
"Parish Streets" | p. 94 |
"Life in Motion" | p. 115 |
"Goodbye to All This" | p. 132 |
"The Queimada" | p. 155 |
"Three Pokes of a Thistle" | p. 161 |
"That Shining Place: Crete | p. 433 |
"Teacher Training" | p. 449 |
"My Father Always Said" | p. 215 |
"Chin Music" | p. 223 |
"Reflection Rag: Uncle Joe, Roberto Clemente, and I" | p. 250 |
Nature Essay | |
"Living Like Weasels" | p. 76 |
"From a Sheepherder's Notebook: Three Days" | p. 80 |
"Walking" | p. 102 |
"Animal Allies" | p. 168 |
"Knowing Where You've Been" | p. 188 |
"Cloud Crossing" | p. 202 |
"Pliny and the Mountain Mouse" | p. 208 |
Personal Essay | |
"Running the Table" | p. 62 |
"On the Fringes of the Physical World" | p. 67 |
"Northeast Direct" | p. 84 |
"Walking" | p. 102 |
"Life in Motion" | p. 115 |
"Portrait of My Body" | p. 120 |
"Brothers" | p. 128 |
"The Best Cake Made Both of Us Sad" | p. 165 |
"Virtually Romance: A Discourse on Love in the Information Age" | p. 174 |
"How to Play" | p. 195 |
"Cloud Crossing" | p. 202 |
"Zion" | p. 463 |
"Going to the Movies" | p. 247 |
"Reflection Rag: Uncle Joe, Roberto Clemente, and I" | p. 250 |
"The Friendship Tarot" | p. 266 |
Segmented Essay | |
"Out of the Garden" | p. 18 |
"The Unwanted Child" | p. 37 |
"Independence Day, Manley Hot Springs, Alaska" | p. 48 |
"Silent Dancing" | p. 55 |
"Walking" | p. 102 |
"Life in Motion" | p. 115 |
"The Queimada" | p. 155 |
"Three Pokes of a Thistle" | p. 161 |
"Teacher Training" | p. 449 |
"Virtually Romance: A Discourse on Love in the Information Age" | p. 174 |
"Knowing Where You've Been" | p. 188 |
"Going to the Movies" | p. 247 |
"Reflection Rag: Uncle Joe, Roberto Clemente, and I" | p. 250 |
"The Friendship Tarot" | p. 266 |
Critical Essay | |
"Warping Time with Montaigne" (literature) | p. 419 |
"Animal Allies" (nature/education) | p. 168 |
"Celebrating Creation" (science/religion) | p. 184 |
"At the Buffalo Bill Museum, June 1988" (history) | p. 233 |
Literary Journalism | |
"In Search of Proust" | p. 5 |
"The People on the Bus" | p. 88 |
"Where Worlds Collide" | p. 105 |
"The Search for Marvin Gardens" | p. 146 |
"Celebrating Creation" | p. 184 |
Processes and Criticism of Creative Nonfiction | |
Memoir | |
"The Art of Memoir" | p. 282 |
"To Fashion a Text" | p. 286 |
"The Intelligent Heart" | p. 303 |
"Memory and Imagination" | p. 306 |
"Afterword: Writing 'The Greece Piece'" | p. 443 |
"Full Disclosure" | p. 392 |
"Memoir? Fiction? Where's the Line?" | p. 399 |
"Finding the Inner Story in Memoirs and Personal Essays" | p. 405 |
Writing | |
"Notes from a Journey toward 'Warping Time'" | p. 425 |
"What We Didn't Know We Knew" | p. 344 |
"Afterword: Writing 'The Greece Piece'" | p. 443 |
"Composing 'Teacher Training'" | p. 455 |
"Collage, Montage, Mosaic, Vignette, Episode, Segment" | p. 371 |
"On Writing 'Zion'" | p. 471 |
"Finding the Inner Story in Memoirs and Personal Essays" | p. 405 |
Essay | |
"On the Possibilities of the Essay: A Meditation" | p. 296 |
"The Intelligent Heart" | p. 303 |
"The Art of Translation" | p. 316 |
"What We Didn't Know We Knew" | p. 344 |
"What Happened to the Personal Essay?" | p. 351 |
"Toward a Definition of Creative Nonfiction" | p. 359 |
"The Singular First Person" | p. 383 |
"Finding the Inner Story in Memoirs and Personal Essays" | p. 405 |
Genre Issues | |
"The Landscape of Creative Nonfiction" | p. 275 |
"The Whole Truth" | p. 322 |
"Courting the Approval of the Dead" | p. 330 |
"Toward a Definition of Creative Nonfiction" | p. 359 |
"The Other Creative Writing" | p. 366 |
"Collage, Montage, Mosaic, Vignette, Episode, Segment" | p. 371 |
"Full Disclosure" | p. 392 |
"Memoir? Fiction? Where's the Line?" | p. 399 |
Academic Writing | |
"Notes from a Journey toward 'Warping Time'" | p. 425 |
"Experimental Critical Writing" | p. 409 |
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