Introduction
1. Towards the Intertextual Dialogism Approach
2. Towards Post-celluloid Adaptation
3. From the Pre-diction of Crime to the Pre-vision of Screenless Media: Spielberg's Adaptation of Philip K. Dick's The Minority Report
4. Adapting the Literature of the Double: Manifestations of Cinematic Forms in Fight Club and Enduring Love
5. Bullet-time, Blood Spraying Time, and the Adaptation of the Graphic Novel
6. From Shadows to Excess: New Media Hollywood and the Digitizing of Gothic Monsters in Van Helsing
7. Puppet Kong vs. Synthetic Kong: Peter Jackson's King Kong as Post-celluloid Adaptation
Conclusion
Bibliography
Index
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