From Head to Hand Art and the Manual

by Strauss, David Levi

• ISBN13: 9780195391220
• ISBN10: 0195391225
• Format: Hardcover
• Copyright: 2010-02-11
• Publisher: Oxford University Press

Summary

In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur. Featuring over 35 illustrations, the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear, Ursula von Rydingsvard, and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo Steinberg. In addition, there are essays on Joseph Beuys's 7000 Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim Hart, Cecilia Vicuna's "memory of the fingers," and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions. Known primarily for his writings on photography and politics, Strauss here focuses on the least mediated arts--painting, sculpture, and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary art's connection to the past.

Author Biography

David Levi Strauss' essays and reviews appear regularly in Artforum and Aperture, and he has written exhibition catalogues and monographs on the work of numerous artists, including Martin Puryear, Ursula von Rydingsvard, Carolee Schneeman, Alfredo Jaar, Miguel Rio Branco, Mike Bidlo, Raoul Hague and Robert Frank, Tim Davis, and Daniel Martinez. He was also a recipient of the Guggenheim Foundation Fellowship in writing in 2003- 2004 and is on the faculty of the Center for Curatorial Studies and Art in Contemporary Culture at Bard College.

Table of Contents

Preface	p. ix
From Head to Hand and Back Again: Some Lines for Martin Puryear	p. 1
Sculpture and Sanctuary: Ursula von Rydingsvard	p. 9
Laborare Est Orare	p. 19
Reanimating Matter: Raoul Hague and Robert Frank	p. 23
Beuys in Ireland	p. 33
Between Two Worlds: The Haida Project	p. 39
The Memory of the Fingers	p. 55
Reverie and Luck, Incarnate	p. 61
In Praise of Darkness	p. 67
Why Move On from Illuminations That Haven't Yet Been Understood?	p. 71
Her Plumbing and Her Bridges, in Sweet Assemblage	p. 77
Signal to Noise	p. 87
The Fighting Is a Dance, Too: Leon Golub and Nancy Spero	p. 97
Fallen Figures and Heads	p. 105
Remembering Golub	p. 115
Spero's Heart	p. 119
Hosephat and the Wooden Shoes: Robert Duncan and Délire	p. 123
Radial Asymmetries: On Guy Davenport	p. 135
The Bias of the World: Curating after Szeemann and Hopps	p. 149
Father and Daughter: Flesh	p. 161
It Has to Be Danced to Be Known: On Leo Steinberg	p. 167
Acknowledgments	p. 185
Notes	p. 189
Index	p. 203
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