Previous Word | p. 25 |
Lazybones | p. 31 |
La Miseria del Hombre (1948) | |
The Beginning and the End | p. 33 |
Alcohol and Syllables | p. 35 |
Death Makes Me Smile | p. 37 |
The Sun Is the Only Seed | p. 39 |
I Lost My Youth | p. 45 |
Contra la Muerte (1964) | |
What Do You Love When You Love? | p. 51 |
Lovelies | p. 53 |
Coal | p. 54 |
The Days Go By So Quickly | p. 59 |
Against Death | p. 63 |
Once Chance Was Named Jorge Caceres | p. 67 |
Kids | p. 69 |
Portrait Of a Woman | p. 71 |
By Vallejo | p. 75 |
Letter To See Us Again | p. 79 |
Oscuro (1977) | |
Don't Plagiarize Pound | p. 87 |
Aleph, Aleph | p. 91 |
The Helicopter | p. 93 |
From Below | p. 95 |
Requiem For the Butterfly | p. 97 |
October 8 | p. 99 |
Residence In the Baltic | p. 103 |
Poetomancy | p. 105 |
A Barbarian In Asia | p. 107 |
Bed With Mirrors | p. 109 |
Vowels for Hilda | p. 113 |
Encounter With the Amphora | p. 125 |
Human Couple | p. 129 |
Grace and Disgrace of the Antipoet | p. 131 |
Shameful Publicity | p. 143 |
Classical Accord | p. 147 |
Transtierro (1979) | |
Transterran | p. 149 |
Diaspora 60 | p. 153 |
Imago Groaning | p. 161 |
Beach With Androgynes | p. 165 |
Del relampago (1981) | |
50 poemas (1982) | |
Sunday Daemon | p. 167 |
The Stone | p. 169 |
Visiting Professor | p. 173 |
Endless Soccer | p. 175 |
Hallelujah For the Resurrection of Georges Baraille | p. 177 |
Flash | p. 181 |
Love Letter | p. 185 |
Letter to Nadja | p. 187 |
Grave With Paul Celan | p. 191 |
Poet Strictly Dismissed | p. 193 |
Trotting to Blake | p. 197 |
Concert | p. 201 |
El alumbrado (1986) | |
Materia de testamento (1988) | |
The Man With His Back Turned | p. 205 |
Ribs, Bars of the Heart | p. 209 |
Thirteen Chords for the Lute | p. 213 |
Rimbaud | p. 215 |
Lilat Al Wahda | p. 217 |
It Seems That What One Dies Of | p. 221 |
The Divine Sr. R. | p. 223 |
The Enlightened One | p. 227 |
Dog On an Etruscan Vase | p. 231 |
Round Trip | p. 233 |
December 20 | p. 237 |
Other Signals | p. 239 |
Bone Woman | p. 241 |
The Coast | p. 245 |
Listen to That Kid | p. 247 |
Microfilm of the Abyss | p. 249 |
There Will Be No Corruption | p. 253 |
To a Woman's Dress | p. 257 |
At the Bottom of All This a White Horse | p. 259 |
Last Will & Testament | p. 261 |
Despreocupado lector (1990) | |
Rio turbio (1996) | |
Letter to Huidobro | p. 265 |
Andre Breton Celebrates His Hundredth Birthday and Is Doing Fine | p. 271 |
Of Cubism As a Serpent | p. 273 |
Buzzing at 33,000 Feet | p. 275 |
Pablo de Rokha | p. 277 |
Fascination | p. 283 |
Fax In a Gust | p. 287 |
Pact With Teillier | p. 289 |
Carmen Carminis | p. 293 |
Still Cords | p. 295 |
Dialogo con Ovidio (2000) | |
Metamorphosis of the Same | p. 297 |
Two Chairs By the Seashore | p. 303 |
Unborn of Myself | p. 305 |
Cerebellum Sepulchre | p. 307 |
Cerebellum Sepulchre | p. 309 |
Eighty Times Nobody | p. 311 |
Dialogue With Ovid | p. 317 |
Oriana | p. 323 |
Song | p. 337 |
James Joyce 40 Years Dead | p. 339 |
Farewell to the Concubine | p. 343 |
Finally to You Going Away | p. 347 |
Errata | p. 349 |
Reading the Rose | p. 351 |
Mortuary Papyrus | p. 353 |
Before a Reading | p. 359 |
Discourse in Buenos Aires | p. 370 |
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