Preface | p. xiii |
Preface to the Second Edition | p. xv |
Acknowledgments | p. xvii |
Introduction | p. 1 |
Creative Works | |
Prose | |
David on Trial | p. 15 |
Rosa in Television Land | p. 20 |
Memory of Two Tuesdays | p. 29 |
Greener Grass | p. 37 |
Monday Tuesday ... Never Come Sunday | p. 44 |
Nonna | p. 50 |
Juniper Street Sketches 1 and 2 | p. 59 |
Her Sister | p. 67 |
My Grandfather's Suit | p. 79 |
Cakes | p. 86 |
Angelina | p. 89 |
Twenty-Nine Steps towards Re-adhesion | p. 94 |
Drowning | p. 100 |
Mora Amore | p. 108 |
The Last Godfather | p. 116 |
The Dante Society of Westchester | p. 119 |
Piacere Conoserla: On Being an Italian-American | p. 126 |
Ghost Dance | p. 131 |
Poetry | |
Carrara, Looking Seaward | p. 135 |
The Old Italians Dying | p. 135 |
Backyard | p. 139 |
April Fool Birthday Poem for Grandpa | p. 140 |
To My Father--2 | p. 141 |
The Spirit of Romance | p. 141 |
Rant | p. 142 |
Prayer to the Mothers | p. 144 |
Poem in Praise of My Husband (Taos) | p. 145 |
The Dance at Saint Gabriel's | p. 146 |
The Wedding Photograph, 1915 | p. 146 |
Tony | p. 147 |
The Americanization of the Immigrant | p. 149 |
Antonio Stefanile | p. 149 |
How I Changed My Name, Felice | p. 150 |
The Exotic Enemy | p. 151 |
Cento at Dawn | p. 152 |
Ants and Worms | p. 152 |
Returning from Paradise We Stop at a Carnival | p. 153 |
Aperture | p. 154 |
The Lily Shivers | p. 155 |
As When Some Silenced Singer Hears Her Aria | p. 156 |
In the Golden Sala | p. 157 |
The Summer Kitchen | p. 158 |
Piazza | p. 160 |
Grandmother in Heaven | p. 161 |
At the Ruined Monastery in Amalfi | p. 162 |
Syrinx | p. 163 |
Crops | p. 163 |
Coda for Salvation | p. 164 |
After Seeing Pierre Bonnard's The Breakfast Room | p. 166 |
White Lies | p. 166 |
Poem to Monica Ochtrap | p. 167 |
Dark on Dark | p. 168 |
Reunion at Berkeley | p. 168 |
Betrayals | p. 170 |
The Eyes of Women | p. 171 |
Arturo | p. 172 |
Conscience | p. 174 |
Montale's Grave | p. 175 |
San Francesco | p. 175 |
Morning Run | p. 176 |
Psalm of the Eucharist | p. 179 |
Easter Week in Rome | p. 188 |
Winter Afternoon at the Museum | p. 188 |
Bruno the Magnificent | p. 189 |
In Praise of Radio | p. 190 |
Letters from Concetta's Palmist | p. 193 |
Gloss on Uncle Louie's Fingernails | p. 196 |
Casting Hand Shadows | p. 197 |
Emanuela in the New World Garden | p. 200 |
Pullover | p. 202 |
Lullaby | p. 203 |
Early Afternoon, Chautauqua | p. 203 |
The Caves of Love | p. 204 |
After Spring Storms | p. 205 |
Flowers | p. 206 |
Library Tapestry | p. 206 |
Blue Haze | p. 207 |
Buffalo/Stasis | p. 208 |
The Act of Remembering | p. 209 |
Snoqualmie Falls, July | p. 211 |
To Sacco and Vanzetti, In America | p. 212 |
When Dead Men Speak | p. 213 |
My Father's Sorrow | p. 214 |
You Must Know This | p. 215 |
Triptych, Outside of Siena | p. 216 |
Imaginary Slides besides Inside, upon Revere's Mare | p. 218 |
The Journeys Back Home | p. 219 |
Resurgence DNA and Other Crossover Motifs | p. 221 |
The Language of Bed | p. 225 |
The Lioness Lullaby | p. 226 |
Heat | p. 226 |
The Unborn Child as Poem | p. 227 |
Rotting Fruit | p. 227 |
Concentration Camp | p. 228 |
Our Lady's Field--Vignettes | p. 228 |
Who Threw the Stone? | p. 229 |
Drive to the Country | p. 230 |
In Memory of Jenny and Evelyn: Who Were Playing When the Stoop Collapsed | p. 231 |
Dream of Flying | p. 232 |
A Modern Odyssey | p. 232 |
Appomattox | p. 233 |
Why I Don't Speak Italian | p. 236 |
Elegy | p. 237 |
Photograph of My Mother as a Young Girl | p. 239 |
The Garden on the Campagna | p. 239 |
The Journey, the Arrival, and the Dream | p. 240 |
An Emigre in Autumn | p. 242 |
Poems | p. 243 |
The Soliloquy of Francis Vigo | p. 248 |
Ad Patrem | p. 250 |
Iter ad Garganum | p. 251 |
Ethnic Quartet | p. 252 |
Critical Essays | |
A Literature Considering Itself: The Allegory of Italian America | p. 257 |
Red, a little white, a lot of green, on a field of pink: a controversial design for an Italian component of a multicultural canon for the United States | p. 274 |
From Oral Tradition to Written Word: Toward an Ethnographically Based Literary Criticism | p. 286 |
Luigi Ventura and the Origins of Italian-American Fiction | p. 299 |
The Ethnic Language of Pietro Di Donato's Christ in Concrete | p. 305 |
From Southern Italian Emigrant to Reluctant American: Joseph Tusiani's Gente Mia and Other Poems | p. 314 |
Recent Italian American Literature: The Case of John Fante | p. 327 |
The Choice of Gilbert Sorrentino | p. 336 |
Umbertina: The Italian/American Woman's Experience | p. 355 |
"Pago, Pago!": The Gift Principle in Contemporary Italian/American Narratives | p. 372 |
Moments in Italian-American Cinema: From Little Caesar to Coppola and Scorsese | p. 394 |
America through Italian/American Eyes: Dream or Nightmare? | p. 417 |
Select Critical Bibliography | p. 451 |
Select Filmography | p. 475 |
Contributors | p. 483 |
Index | p. 493 |
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