Acknowledgments | |
Tattoos | p. 3 |
Roots | p. 4 |
Dialectics of Love | p. 5 |
Eros | p. 6 |
Flags | p. 7 |
Prayer | p. 8 |
I Used to Be Much Much Darker | p. 10 |
Un Beso Is Not a Kiss | p. 12 |
Dark Light | p. 15 |
Fugitive | p. 16 |
In Praise of Tortillas | p. 18 |
Acusado de todo | p. 19 |
Patria | p. 20 |
Zenthroamerika | p. 21 |
A Shadow's Fate | p. 22 |
Blessed | p. 23 |
Bridge | p. 24 |
Imprisoned Poet | p. 27 |
So Real | p. 28 |
Old Song | p. 30 |
In a Neighborhood in Los Angeles | p. 31 |
Advice of a Mother | p. 33 |
Dark Room | p. 34 |
My Father | p. 35 |
A Small but Fateful Victory | p. 36 |
Natural Criminal | p. 38 |
The Other Day I Ran into Garcia Lorca | p. 39 |
Everything Is an Immense Body | p. 40 |
Prophetic Anatomy | p. 41 |
Body in Flames | p. 42 |
Las flores son nuestras armas | p. 43 |
Love Doesn't Exist | p. 45 |
My Hands | p. 46 |
My Bed | p. 47 |
Order in the Home | p. 48 |
My Hair | p. 49 |
My Dead | p. 50 |
Letter to America | p. 51 |
Loma Prieta | p. 55 |
Memorial | p. 56 |
Chance | p. 58 |
Gatherers | p. 59 |
Poor Poets | p. 61 |
Victima del sismo | p. 62 |
Lamentary | p. 64 |
Blessed the Big One | p. 65 |
Tambores | p. 67 |
First-Person Eulogy | p. 68 |
Vision | p. 70 |
Four Directions | p. 75 |
Hernando Ruiz de Alarcon (1587-1646) | p. 76 |
In the Middle of the Night | p. 78 |
Shame | p. 79 |
Mestizo | p. 80 |
Matriarch | p. 82 |
Spirit Book | p. 83 |
Songs | p. 85 |
To Those Who Have Lost Everything | p. 86 |
Never Alone | p. 88 |
Nomatca Nehuatl | p. 89 |
Journey | p. 91 |
Traveler's Prayer | p. 93 |
Midnight Water Song | p. 94 |
Ololiuhqui | p. 95 |
Morning Ritual | p. 96 |
Seven Flower | p. 97 |
For Planting Corn | p. 98 |
Snake Wheel | p. 100 |
Ode to Tomatoes | p. 102 |
Potent Seeds | p. 103 |
Against Anger | p. 105 |
Face and Heart | p. 106 |
For Finding Affection | p. 108 |
For Love | p. 110 |
Tonantzin | p. 111 |
Cihuacoatl | p. 112 |
Working Hands | p. 113 |
In Xochitl In Cuicatl | p. 114 |
Silence | p. 117 |
The X in My Name | p. 118 |
Streetwise | p. 119 |
Californian Missions | p. 120 |
L. A. Prayer | p. 121 |
Soother | p. 123 |
Amor zurdo | p. 124 |
Seer | p. 125 |
"Mexican" Is Not a Noun | p. 126 |
Continental | p. 128 |
Maternal Home | p. 130 |
Isla Mujeres | p. 131 |
There has never been sunlight for this love | p. 137 |
Your hands are two hammers | p. 139 |
Asleep you become a continent | p. 141 |
I like to walk beside you | p. 143 |
"There are two ways in this world ..." | p. 145 |
Once again I look out your window | p. 147 |
How to console the loneliest man ...? | p. 149 |
New Day | p. 153 |
I want to embrace you, dear wind | p. 155 |
Your eyes show me how to see again | p. 157 |
Back then hours were so long | p. 159 |
Listen to me like that echo lost | p. 161 |
And I said good-bye as if biting the air | p. 163 |
Words are rusted keys | p. 165 |
Beneath this language, there's another | p. 167 |
For Us | p. 171 |
Encounter | p. 172 |
From the Other Side of Night | p. 173 |
Out | p. 175 |
Love Plea | p. 176 |
Left | p. 178 |
Ritual for Unloving | p. 179 |
Boricua | p. 180 |
In My Mouth | p. 186 |
AIDS Blues | p. 187 |
For Life | p. 188 |
Questions | p. 189 |
Tlazolteotl! | p. 190 |
Desert Prayer | p. 194 |
Afterword | p. 195 |
Glossary | p. 205 |
Critical Works | p. 211 |
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