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Michael A. Chaney is Assistant Professor of English at Dartmouth College.
List of Illustrations | p. vii |
Acknowledgments | p. ix |
Introduction: Looking Beyond and Through the Fugitive Icon | p. 1 |
Fugitive Gender: Black Mothers, White Faces, Sanguine Sons | |
Racing and Erasing the Slave Mother: Frederick Douglass, Parodic Looks, and Ethnographic Illustration | p. 17 |
Looking for Slavery at the Crystal Palace: William Wells Brown and the Politics of Exhibition(ism) | p. 49 |
The Uses in Seeing: Mobilizing the Portrait in Drag in Running a Thousand Miles for Freedom | p. 80 |
Still Moving: Revamped Technologies of Surveillance | |
Panoramic Bodies: From Banvard's Mississippi to Brown's Iron Collar | p. 113 |
The Mulatta in the Camera: Harriet Jacobs's Historicist Gazing and Dion Boucicault's Mulatta Obscura | p. 148 |
Throwing Identity in the Poetry-Pottery of Dave the Potter | p. 176 |
Conclusion | p. 209 |
Notes | p. 215 |
Works Cited | p. 235 |
Index | p. 247 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.