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Galileo's Idol offers a vivid depiction of Galileo's friend, student, and patron, Gianfrancesco Sagredo (1571-1620). Sagredo's life, which has never before been studied in depth, brings to light the inextricable relationship between the production, distribution, and reception of political information and scientific knowledge.
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Nick Wilding uses as wide a variety of sources as possible-paintings, ornamental woodcuts, epistolary hoaxes, intercepted letters, murder case files, and others-to challenge the picture of early modern science as pious, serious, and ecumenical. Through his analysis of the figure of Sagredo, Wilding offers a fresh perspective on Galileo as well as new questions and techniques for the study of science. The result is a book that turns our attention from actors as individuals to shifting collective subjects, often operating under false identities; from a world made of sturdy print to one of frail instruments and mistranscribed manuscripts; from a complacent Europe to an emerging system of complex geopolitics and globalizing information systems; and from an epistemology based on the stolid problem of eternal truths to one generated through and in the service of playful, politically engaged, and cunning schemes.
