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Foreword | |
Introduction | |
The Language of Despair: Ideological Representations of the "New Woman" by May Fourth Writers | |
Invention and Intervention: The Female Tradition in Modern Chinese Literature | |
The End of "Funu Wenxue": Women's Literature from 1925 to 1935 | |
Woman as Trope: Gender and Power in Lu Xun's "Soap" | |
Virtuous Transactions: A Reading of Three Short Stories by Ling Shuhua | |
Images of Subjugation and Defiance: Female Characters in the Early Dramas of Tian Han | |
Female Images and National Myth | |
Writing with Your Body: Literature as a Wound--Remarks on the Poetry of Shu Ting | |
Harmony and Equality: Notes on "Mimosa" and "Ark" | |
Three Interviews: Wang Anyi, Zhu Lin, Dai Qing | |
In the Translator's Eye: On the Significance of Zhu Lin | |
Yuan Qiongqiong and the Rage for Eileen Zhang among Taiwan's Feminine Writers | |
Taking Tiger Mountain: Can Xue's Resistance and Cultural Critique | |
Feminism in the Chinese Context: Li Ang's The Butcher's Wife | |
Political Evaluation and Reevaluation in Contemporary Chinese Fiction | |
Contributors | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.