Chaucer's Miller's Tale in Context | p. 1 |
The Miller's Tale | p. 9 |
The Miller's portrait: General Prologue | p. 9 |
The Miller's Prologue | p. 10 |
The Miller's Tale | p. 13 |
The Reeve's Prologue | p. 33 |
Notes | p. 37 |
The Miller's portrait: General Prologue | p. 38 |
The Miller's Prologue | p. 40 |
Reactions to The Knight's Tale: lines 1-11 | p. 40 |
The Miller's interruption: lines 12-35 | p. 41 |
The Reeve's objection: lines 36-58 | p. 44 |
Chaucer's apology: lines 59-78 | p. 47 |
The Miller's Tale | p. 49 |
Introduction and portrait of Nicholas: lines 79-112 | p. 50 |
The carpenter's marriage: lines 113-24 | p. 55 |
Portrait of the carpenter's wife: lines 125-62 | p. 56 |
Nicholas molests Alison: lines 163-98 | p. 59 |
Portrait of Absolon: lines 199-230 | p. 62 |
Absolon begins to woo Alison: lines 231-61 | p. 65 |
Absolon's method of wooing: lines 262-88 | p. 67 |
Alison and Nicholas make their plans: lines 289-310 | p. 69 |
John wonders what has happened to Nicholas: lines 311-39 | p. 70 |
John responds to his servant's report: lines 340-65 | p. 72 |
John rouses Nicholas from his trance: lines 366-92 | p. 74 |
Nicholas tells John about the second flood: lines 393-425 | p. 76 |
Nicholas tells John how to avoid the flood: lines 426-54 | p. 78 |
More advice from Nicholas and a warning: lines 455-92 | p. 80 |
John prepares for the flood: lines 493-524 | p. 83 |
John awaits the flood; Nicholas takes over his bed: lines 525-48 | p. 84 |
Absolon decides to speak to Alison at her window: lines 549-78 | p. 86 |
Absolon goes to the window and confesses his love: lines 579-605 | p. 88 |
Alison puts her bottom out of the window: lines 606-35 | p. 90 |
Absolon learns his lesson and plans his revenge: lines 636-77 | p. 92 |
Absolon's revenge: lines 678-705 | p. 94 |
John's fall and the reaction of his neighbours: lines 706-46 | p. 96 |
The Reeve's Prologue | p. 99 |
Reaction to The Miller's Tale | p. 99 |
Interpretations | p. 103 |
The Miller as a character and contrasts with the Knight | p. 103 |
Genre | p. 106 |
Characterization | p. 109 |
John | p. 112 |
The courtly characters | p. 117 |
Nicholas | p. 118 |
Alison | p. 123 |
Absolon | p. 126 |
Language, style, and structure | p. 132 |
Realism | p. 132 |
Parody | p. 139 |
Proverbs | p. 143 |
Imagery | p. 144 |
The narrator's voice | p. 147 |
Structure | p. 148 |
Themes | p. 150 |
Destiny, justice, and providence | p. 150 |
Concealment, secrecy, and deception | p. 156 |
Other possible themes | p. 158 |
Critical views | p. 159 |
Origins and derivations of the fabliau and Chaucer's use of the form | p. 159 |
Focus on morality | p. 160 |
Focus on the principles of life | p. 160 |
Examination of other principles: spiritual versus freedom of will | p. 161 |
Examination of the burlesque of courtly idealism | p. 161 |
Who is the narrator? | p. 162 |
Essay Questions | p. 164 |
Chronology | p. 167 |
Further Reading | p. 169 |
A Note on Chaucer's English | p. 173 |
A Note on Pronunciation | p. 181 |
Glossary | p. 183 |
Appendix | p. 193 |
The description of the Clerk | p. 193 |
The description of the courtly lady | p. 194 |
The behaviour of the courtly lover | p. 195 |
Two examples of the fabliau | p. 196 |
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