Acknowledgements | p. ix |
Introduction: The Insistence of Geography in the Writing of Annie Proulx | p. 1 |
Orientations | |
The Influence of the Annales School on Annie Proulx's Geographical Imagination | p. 11 |
Proulx and the Postmodern Hyperreal | p. 25 |
Drinking the Elixir of Ownership: Pilgrims and Improvers in the Landscapes of Annie Proulx's That Old Ace in the Hole and The Shipping News | p. 39 |
Postnational United States Regional Hinterlands: Proulx's Ethnic Working-Class Communities in Accordion Crimes | p. 51 |
Geographies | |
Born Under a Bad Sign: The Question of Geographical Determinism in the Hardscrabble Northern Borderlands of Heart Songs and Other Stories | p. 63 |
The Corpse in the Stone Wall: Annie Proulx's Ironic New England | p. 73 |
"All the qualities o' th' isle": The Shipping News as Island Myth | p. 87 |
Annie Proulx's Wyoming: Geographical Determinism, Landscape, and Caricature | p. 99 |
Westward Proulx: The Resistant Landscapes of Close Range: Wyoming Stories and That Old Ace in the Hole | p. 113 |
Directions | |
Landed Bodies: Geography and Disability in The Shipping News | p. 127 |
The Location of Immigration: Itinerant Communities and Cultural Hybridity in Annie Proulx's Accordion Crimes | p. 141 |
Brokeback Mountain as Progressive Narrative and Cinematic Vision: Landscape, Emotion, and the Denial of Domesticity | p. 155 |
Capitalism vs. Localism: Economies of Scale in Annie Proulx's Postcards and That Old Ace in the Hole | p. 169 |
The Ecology of Narrative: Annie Proulx's That Old Ace in the Hole as Critical Regionalist Fiction | p. 183 |
Afterword | |
Red Desert: The History of a Place, and Annie Proulx as Environmental Historian | p. 197 |
Bibliography | p. 201 |
Index | p. 211 |
Contributors | p. 215 |
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