Acknowledgments | p. ix |
Introduction | p. xi |
Prologue: Advice to a Graduation | p. 1 |
Music | |
William Byrd and Orlando Gibbons | p. 11 |
Domenico Scarlatti | p. 14 |
Art of the Fugue | p. 15 |
The "Goldberg" Variations | p. 22 |
Bodky on Bach | p. 28 |
Of Mozart and Related Matters: Glenn Gould in Conversation with Bruno Monsaingeon | p. 32 |
Glenn Gould Interviews Himself About Beethoven | p. 43 |
Beethoven's Pathetique, "Moonlight," and "Appassionata" Sonatas | p. 51 |
Beethoven's Last Three Piano Sonatas | p. 54 |
Beethoven's Fifth Symphony on the Piano: Four Imaginary Reviews | p. 57 |
Some Beethoven and Bach Concertos | p. 61 |
N'aimez-Vous Pas Brahms? | p. 70 |
Should We Dig Up the Rare Romantics? ... No, They're Only a Fad | p. 72 |
Piano Music by Grieg and Bizet, with a Confidential Caution to Critics | p. 76 |
Data Bank on the Upward-Scuttling Mahler | p. 80 |
An Argument for Richard Strauss | p. 84 |
Strauss and the Electronic Future | p. 92 |
Richard Strauss's Enoch Arden | p. 100 |
The Piano Music of Sibelius | p. 103 |
Arnold Schoenberg--A Perspective | p. 107 |
The Piano Music of Arnold Schoenberg | p. 122 |
Piano Concertos by Mozart and Schoenberg | p. 128 |
Arnold Schoenberg's Chamber Symphony No. 2 | p. 134 |
A Hawk, a Dove, and a Rabbit Called Franz Josef | p. 142 |
Hindemith: Will His Time Come? Again? | p. 147 |
A Tale of Two Marienlebens | p. 151 |
Piano Sonatas by Scriabin and Prokofiev | p. 163 |
Music in the Soviet Union | p. 166 |
The Ives Fourth | p. 185 |
A Festschrift for "Ernst Who???" | p. 189 |
Piano Music of Berg, Schoenberg, and Krenek | p. 194 |
Korngold and the Crisis of the Piano Sonata | p. 200 |
Canadian Piano Music in the Twentieth Century | p. 204 |
The Dodecacophonist's Dilemma | p. 207 |
Boulez | p. 216 |
The Future and "Flat-Foot Floogie" | p. 221 |
Terry Riley | p. 226 |
Gould's String Quartet, Op. 1 | p. 227 |
So You Want to Write a Fugue? | p. 234 |
Performance | |
Let's Ban Applause! | p. 245 |
We Who Are About to Be Disqualified Salute You! | p. 250 |
The Psychology of Improvisation | p. 255 |
Critics | p. 257 |
Stokowski in Six Scenes | p. 258 |
Rubinstein | p. 283 |
Memories of Maude Harbour, or Variations on a Theme of Arthur Rubinstein | p. 290 |
Yehudi Menuhin | p. 296 |
The Search for Petula Clark | p. 300 |
Streisand as Schwarzkopf | p. 308 |
Interlude: Glenn Gould Interviews Glenn Gould About Glenn Gould | p. 313 |
Media | |
The Prospects of Recording | p. 331 |
Music and Technology | p. 353 |
The Grass Is Always Greener in the Outtakes: An Experiment in Listening | p. 357 |
"Oh, for heaven's sake, Cynthia, there must be something else on!" | p. 368 |
Radio as Music: Glenn Gould in Conversation with John Jessop | p. 374 |
Prologue from "The Idea of North" | p. 389 |
"The Idea of North": An Introduction | p. 391 |
"The Latecomers": An Introduction | p. 394 |
Miscellany | |
Three Articles Published Under the Pseudonym Dr. Herbert von Hochmeister | p. 399 |
Toronto | p. 410 |
Conference at Port Chillkoot | p. 416 |
Fact, Fancy, or Psychohistory: Notes from the P.D.Q. Underground | p. 424 |
The Record of the Decade | p. 429 |
Rosemary's Babies | p. 434 |
A Desert Island Discography | p. 437 |
The Film Slaughterhouse Five | p. 440 |
A Biography of Glenn Gould | p. 444 |
CODA: Glenn Gould in Conversation with Tim Page | p. 449 |
Index | p. 463 |
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