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Summary
For your classes in Developmental Writing, McGraw-Hill introduces the latest in its acclaimed M Series. The M Series started with your students. McGraw-Hill conducted extensive market research with over 4,000 students to gain insight into their studying and buying behavior. Students told us they wanted more portable texts with innovative visual appeal and content that is designed according to the way they learn. We also surveyed instructors, and they told us they wanted a way to engage their students without compromising on high quality content. More current, more portable, more captivating, plus a rigorous and innovative research foundation adds up to more learning. When you meet students where they are, you can take them where you want them to be. This two-book developmental writing series with help students become more effective and more confident writers by meeting students where they are and by helping them get to where they want to go. One of the authors' primary goals in teaching writing is to help their students explore how college writing can enhance students' lives and help them achieve their goals, whether academic, professional, or beyond. Such exploration often begins with igniting a change in how our students look at writing. Far too often, students come to the first day of class thinking of the course as something simply to "get through," something without any real connection to what goes on outside the classroom, when, in fact, writing is an essential part of their journey. With these goals in mind, the authors have written, developed, and student-tested Going Places (PE), and its partner text On the Go (SP), so you can meet students where they are and use writing to take them where they want to go. After all, engaged students and good writers do well in their classes; they retain content better and participate more fully. They use writing to learn and to share what they know. In addition, critical thinkers and good writers participate more fully in the workplace and are more likely to advance. Whatever their destination, effective writing will make a fundamental difference in each student's journey.
Table of Contents
Contents
Part I: Writing in College
CHAPTER 1 Meeting the Demands of College Writing
Writing in College
Purpose and Form in Writing
Focus and Content
Critical Reading and Thinking
Five Strategies to Read and Think Critically
Read with a Pen
Ask Questions to Focus and Clarify Meaning
Make Personal Connections
Determine Important Information and Ideas
Drawing Inferences by Identifying Connection Between Parts of the Text
READING: "On Baking," by Richard Sennett
READING: Mother Tongue, by Amy Tan Setting Goals and Becoming a Reflective Student
Reflective Writing
CHAPTER 2 The Writing Process
The Writing Process
Prewriting: Write Before You Write
Talking
Clustering
Brainstorming
Freewriting
Review Your Prewriting and Define Your Topic
Drafting: Focus and Organize
Consider Your Audience
Focus Your Topic Sentence
Unity and Coherence: Organizing and Connecting Ideas and Details
Revise
Revision Strategies
Read Critically
Reading Peer Papers: Response Groups
Edit
Eliminate Your Usual Errors
Editing Strategies
Reflect
Build Confidence
Identify Successes
Set Goals
CHAPTER 3 Writing Paragraphs in College
Content First
Paragraph Structure
Assignments and Topics
The Topic sentence
Focusing Your Topic Sentence
From Prewriting to Topic Sentence
Supporting details
Elaborating on Your Major Supporting Details
Being Specific
Concluding sentence
Paragraph Organization
Unity and coherence
Ordering Your Details
Part II: Paragraph Writing and Patterns of Thinking
CHAPTER 4 Description
Description
DESCRIPTION PARAGRAPH AT A GLANCE
DESCRIPTION THINKING
Elements of Description
Getting Started
Organizing Your Thinking
Comparisons and Description Thinking
DESCRIPTION IN PROCESS
Select an Assignment
Prewriting: Write Before You Write
Brainstorming
Freewriting
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Concluding Sentence
Write a First Draft
How a Pro Does It. READING: from Nickel and Dimed, by Barbara Ehrenreich
Revising: Read Critically, Then Rewrite
Read Critically
Revise with a Plan
Edit
Reflect
CHAPTER 5 Example
Example
Example Paragraph at a Glance
Example Thinking
Elements of Example
Getting Started
Types of Examples
Related Examples
Extended Examples
Examples as Proof
Elaborating on Examples
Organizing Your Thinking
Example in Process
Select an Assignment
Prewriting: Write Before You Write
Brainstorming
Freewriting
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Concluding Sentence
Write a First Draft
How a Pro Does It: READING, from Life of Pi, by Yann Martel
Revising: Read Critically, Then Rewrite
Read Critically
Theresa’s First Draft
Revise with a Plan
Theresa’s Revision Plan and Revised Draft
Edit
Reflect
Chapter 6 Narrative
Narrative
Narrative Paragraph at a Glance
Narrative Thinking
Elements of Narrative
Getting Started
Narrative Detail
Making Connections
Narrative in Process
Select an Assignment
Prewriting: Write Before You Write
Clustering
Talking
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Concluding Sentence
Write a First Draft
How a Pro Does It: READING, from The New Yorker, by Louis Menand
Revising: Read Critically, Then Rewrite
Read Critically
Revise with a Plan
Edit
Reflect
Chapter 7 Process
Process
Process Paragraph at a Glance
Process Thinking
Elements of Process
Key Details
Getting Started
Organizing the Details
Key Details
Process in Process
Select an Assignment
Prewriting: Write Before You Write
Brainstorming
Talk
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Concluding Sentence
Write a First Draft
How a Pro Does It: READING, from “Polly Want a Ph.D?” by Mark Caldwell
Revising: Read Critically, Then Rewrite
Read Critically
Revise with a Plan
Edit
Reflect
Chapter 8 Classification
Classification
Classification Paragraph at a Glance
Classification Thinking
Elements of Classification
Getting Started
Providing Examples of Categories
Avoiding Stereotyping
Classification in Process
Select an Assignment
Prewriting: Write Before You Write
Brainstorming
Talk
Clustering
Talking
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Write a First Draft
How a Pro Does It: READING, from Business Week, by Karen Kline
Revising: Read Critically, Then Rewrite
Read Critically
Revise with a Plan
Edit
Reflect
Chapter 9 Cause and Effect
Cause and Effect
Cause and Effect Paragraph at a Glance
Cause and Effect Thinking
Elements of Cause and Effect
Getting Started
Cause and Effect Details
Organizing Your Thinking
Cause and Effect in Process
Select an Assignment
Prewriting: Write Before You Write
Clustering
Talking
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Write a First Draft
How a Pro Does It: READING, from Psychology Today, by Laurence Steinberg
Revising: Read Critically, Then Rewrite
Read Critically
Revise with a Plan
Edit
Reflect
Chapter 10 Comparison and Contrast
Comparison and Contrast
Comparison and Contrast Paragraph at a Glance
Comparison and Contrast Thinking
Elements of Comparison and Contrast
Getting Started
Points of Comparison and Contrast
Begin with Your Points of Comparison and Contrast
Begin with Details and Discover Points of Comparison and Contrast
Selecting and Elaborating on Your Details
Comparison and Contrast in Process
Select an Assignment
Prewriting: Write Before You Write
Talking
Brainstorming
Drafting: Focus and Organize
Consider Your Audience
Topic Sentence
Unity and Coherence
Concluding Sentence
Write a First Draft
How a Pro Does It: READING, from Time Bind, by Arlie Hochschild