This publication brings together three newly commissioned essays by art historian Ian McLean and curators and arts writers Helen Hughes and Julie Nagam. The selection of works from the Estate of Gordon Bennett comprises drawings, acrylic/gouache and watercolor paintings, poetry, and essays from the early 1990s to the early 2000s—a period that produced work of remarkable force and revealed the artist's working methods, research focuses, and ultimately his ambitions for his work.
Copublished with Institute of Modern Art, Brisbane
Contributors
Helen Hughes, Ian McLean, Julie Nagam