For this reevaluation of the work of Grandma Moses, Jane Kallir contributes an authoritative introduction and presents a catalogue that illustrates 87 of Moses' most important works. Kallir traces Moses' development as an artist from the first embroidered landscapes to the glorious paintings of her "old-age style". The Grandma Moses myth is tackled from various perspectives. Roger Cardinal examines the artist's working methods, exploring the relationship between the actual regional landscape and her interpretation of the area. Michael D. Hall pl