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ACKNOWLEDGMENTS | ix | ||
INTRODUCTION | xiii | ||
Fumbling in the Dark, or, Sorrows of a Film Critic | 3 | (9) | |
Films, Fatigue, and Why a Critic's Opinions Are Just as Iffy as Yours | 12 | (7) | |
Cinephilia, Cinemania, Cinema | 19 | (12) | |
Hollywood Players Who've Made a Difference | 31 | (19) | |
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Defining the Situation | 50 | (16) | |
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Novelists and Their Movies | 66 | (9) | |
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Allegory and Enigma | 75 | (7) | |
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Life Isn't Sweet | 82 | (27) | |
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Monty Python | 109 | (15) | |
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Creepies, Crawlies, Conundrums | 124 | (8) | |
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Fargo | 132 | (21) | |
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Coppola, Vietnam, and the Ambivalent 1970's | 153 | (8) | |
Representing Atrocity | 161 | (14) | |
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Thanatos ex Machina | 175 | (8) | |
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Noe Stands Alone | 183 | (12) | |
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Time Code | 195 | (23) | |
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Renaldo & Clara Meet John Cage | 218 | (8) | |
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Challenging the Eye | 226 | (13) | |
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Many Selves | 239 | (12) | |
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INDEX | 251 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.