Preface | |
Reviews | |
A Street in Bronzeville | |
Chicago Can Take Pride in New, Young Voice in Poetry | p. 3 |
Review of a Street in Bronzeville | p. 5 |
Annie Allen | |
Cellini-Like Lyrics | p. 6 |
Verse Chronicle | p. 8 |
Still Remarkable | p. 9 |
Bronze by Gold | p. 10 |
Maud Martha | |
From Poet to Novelist | p. 15 |
Soft Meditations | p. 16 |
The Bean Eaters | |
From "Battle of the Books" | p. 17 |
Pity the Giants | p. 19 |
Selected Poems | |
Taking the Poem by the Horns | p. 23 |
A Long Reach, Strong Speech | p. 24 |
In the Mecca | |
Books That Look Out, Books That Look In | p. 26 |
In the Mecca | p. 27 |
The World of Gwendolyn Brooks | |
Making Beauty from Racial Anxiety | p. 29 |
The World of Gwendolyn Brooks | p. 35 |
Children Coming Home | |
Children Coming Home: A Tribute to Survival | p. 38 |
Essays | |
Blacklisting Poets | p. 45 |
Gwendolyn Brooks: An Appreciation from the White Suburbs | p. 50 |
For Sadie and Maud | p. 60 |
The Poetry of Gwendolyn Brooks | p. 66 |
Gwendolyn Brooks: Beyond the Wordmaker - The Making of an African Poet | p. 81 |
Gwendolyn Brooks | p. 97 |
Essences, Unifyings, and Black Militancy: Major Themes in Gwendolyn Brooks's Family Pictures and Beckonings | p. 106 |
From "The Florescence of Nationalism in the 1960s and 1970s" | p. 116 |
Maud Martha | p. 124 |
Dual Vision in Gwendolyn Brooks's Maud Martha | p. 136 |
"Define . . . the Whirlwind": Gwendolyn Brooks's Epic Sign for a Generation | p. 146 |
In the Mecca | p. 161 |
Gwendolyn Brooks: Jean Toomer's November Cotton Flower | p. 182 |
Making It Really New: Hilda Doolittle, Gwendolyn Brooks, and the Feminist Potential of Modern Poetry | p. 186 |
The Satisfactions of What's Difficult in Gwendolyn Brooks's Poetry | p. 213 |
"Gottschalk and the Grande Tarantelle" | p. 224 |
Recent Essays | |
The Women of Bronzeville | p. 233 |
The Poetry of Gwendolyn Brooks: An Afrocentric Exploration | p. 246 |
Gwendolyn Brooks: An Essential Sanity | p. 254 |
Selected Bibliography | |
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