Hale Woodruff, Nancy Elizabeth Prophet, and the Academy

by Amaki, Amalia K.

• ISBN13: 9780295986937
• ISBN10: 029598693X
• Format: Hardcover
• Copyright: 2007-02-28
• Publisher: Univ of Washington Pr

Summary

African American artists Hale Woodruff and Nancy Elizabeth Prophet both worked in Paris before they become colleagues in Atlanta. When Woodruff began teaching drawing and painting at Atlanta University in 1931 he opened a new era of art instruction. After Prophet arrived to teach sculpture in 1934, the art offerings expanded exponentially. By the mid-1930s, the Coordinated Art Program at Atlanta University Center was the place in the southeast for African Americans to study art. This generously illustrated book considers the artists' lives and their impact as teachers and mentors.Hale Woodruff (1900-1980) was born in Cairo, Illinois. After briefly attending the Herron Art School and the Art Institute of Chicago, he took a job at the Senate Avenue YMCA in Indianapolis, where he met some of the leading figures of the time, including W. E. B. DuBois, Charles S. Johnson, Walter White, and Countee Cullen. After winning several prizes for his drawings, he left for Paris in 1927. When he joined the newly formed Atlanta University Center, he viewed teaching as his chance to impart a sense of cultural and social responsibility to his students and encouraged them to portray black experience in America honestly. The annual exhibition he initiated became the most important national exhibition for African American artists. Nancy Elizbeth Prophet (1890-1960) was born and raised in Warwick, Rhode Island, and in 1918 became the first African American to graduate from the Rhode Island School of Design. In 1922 she went to Paris, where she studied under the acclaimed sculptor Victor Joseph Jean Ambrose Segoffin and received the prestigious Otto Kahn and Greenough prizes. She was associated with the New Negro Movement, which called on African American artists to learn from African practitioners and to develop their own cultural style. Her arrival in Atlanta added the three-dimensional component necessary for the Atlanta University Center to initiate a degree-granting program in art.

Table of Contents

Preface	p. 6
Director's Statement	p. 8
Lenders to the Exhibition	p. 11
Introduction	p. 13
The Legacy of Hale Aspacio Woodruff and the Coordinated Art Program of the Atlanta University Center Colleges	p. 17
Hale Woodruff in Atlanta: Art, Academics, Activism and Africa	p. 23
Nancy Elizabeth Prophet: Carving a Niche at Spelman College and Beyond	p. 43
Leaving Atlanta: Mexico, New York and Hale Woodruff's Departure from the Segregated South	p. 63
Reexamining Hale Woodruff's Talladega College and Atlanta University Murals	p. 77
Hale Woodruff: Artist, Teacher and Mentor	p. 87
Afterword: Remembering Hale Woodruff	p. 95
Critical Chronology	p. 98
Exhibition Catalogue	p. 123
Exhibition Checklist	p. 201
Notes on Contributors	p. 206
Index	p. 209
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