What is included with this book?
Notes on Contributors | p. viii |
Acknowledgments | p. xix |
Editor's Introduction | p. xx |
Mediated Women | p. 1 |
The Geography of Women and Media Scholarship | p. 3 |
Chilean Women in Changing Times: Media Images and Social Understandings | p. 20 |
The Girls of Parliament: A Historical Analysis of the Press Coverage of Female Politicians in Bulgaria | p. 35 |
Gossip Blogs and 'Baby Bumps': The New Visual Spectacle of Female Celebrity in Gossip Media | p. 53 |
Fanfiction and Webnovelas: The Digital Reading and Writing of Brazilian Adolescent Girls | p. 71 |
Virtually Blonde: Blonde Jokes in the Global Age and Postfeminist Discourse | p. 88 |
Rugged Masculinity and Other Fables | p. 105 |
Men, Masculinities, and the Cave Man | p. 107 |
Rhetorical Masculinity: Authoritative Utterance and the Male Protagonist | p. 118 |
Conan the Blueprint: The Construction of Masculine Prototypes in Genre Films | p. 135 |
Save the Cheerleader, Save the Males: Resurgent Protective Paternalism in Popular Film and Television after 9/11 | p. 157 |
Fucking Vito: Masculinity and Sexuality in The Sopranos | p. 174 |
StudioSive.com: Selling Cosmetics to Men and Reconstructing Masculine Identity | p. 189 |
Queering the Pitch | p. 205 |
No Hard Feelings: Reflexivity and Queer Affect in the New Media Landscape | p. 207 |
The L Word: Producing Identities through Irony | p. 226 |
Andro-phobia?: When Gender Queer is too Queer for L Word Audiences | p. 241 |
Questioning Queer Audiences: Exploring Diversity in Lesbian and Gay Men's Media Uses and Readings | p. 260 |
'In Touch' with the Female Body: Cinema, Sport, and Lesbian Representability | p. 277 |
Why Doesn't your Compass Work?: Pirates of the Caribbean, Fantasy Blockbusters, and Contemporary Queer Theory | p. 294 |
Raised Voices: Homophobic Abuse as a Catalyst for Coming Out in US Teen Television Drama Series | p. 313 |
Transmen on the Web: Inscribing Multiple Discourses | p. 326 |
Transgendered Saints and Harlots: Reproduction of Popular Brazilian Transgender Stereotypes through Performance on Stage, on Screen, and in Everyday Life | p. 344 |
Women, Men, and Gender | p. 363 |
Sex/Gender and the Media: From Sex Roles to Social Construction and Beyond | p. 365 |
Colin Won't Drink out of a Pink Cup | p. 383 |
Postfeminism Meets Hegemonic Masculinities: Young People Read the 'Knowing Wink' in Advertising | p. 401 |
Communication as Commodification: Video Technology and the Gendered Gaze | p. 419 |
Dutch Moroccan Girls Performing their Selves in Instant Messaging Spaces | p. 436 |
All about Sex | p. 455 |
Sex and the Media | p. 457 |
Deliciously Consumable: The Uses and Abuses of Irony in 'Sex-Trafficking' Campaign Films | p. 470 |
The Sex Inspectors: Self-help, Makeover, and Mediated Sex | p. 487 |
Enacting Bodies: Online Dating and New Media Practices | p. 502 |
Gender and Sexuality in the Internet Era | p. 516 |
Gay for Pay: The Internet and the Economics of Homosexual Desire | p. 535 |
Index | p. 552 |
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