Preface | p. 9 |
Introduction | p. 13 |
Productive Mimesis and the Art of Disappearance: Instantaneous Photography and Abbott Thayer's Modeling of Invisibility in Nature and Man | p. 25 |
Mending the Net: Camouflage, Serial Photography, and the Suture of Self-Effacement and Reconnaissance | p. 77 |
How Not to Be Seen: Dynamic Camouflage and the Motion Films often Lye | p. 127 |
Subject to Change: Skin as Screen | p. 171 |
Acknowledgments | p. 195 |
Color Plates | p. 199 |
Notes | p. 203 |
Index | p. 231 |
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