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9780674012189

House and Home in Modern Japan

by
  • ISBN13:

    9780674012189

  • ISBN10:

    0674012186

  • Format: Hardcover
  • Copyright: 2004-01-01
  • Publisher: Harvard Univ Pr
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Summary

A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artifact and the artifacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants' social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.

Author Biography

Jordan Sand is Assistant Professor of Japanese History and Culture at Georgetown University.

Table of Contents

Figures
xv
Introduction: Dwelling and the Space of Modern Japan 1(2)
Home as a Modern Space
3(2)
The International Discourse of Domesticity
5(4)
Middle-Class Rhetoric and Bourgeois Culture
9(5)
Translated Modernity and the Mass Market
14(2)
Reforming Everyday Life
16(5)
Domesticating Domesticity
21(34)
An Abstract Space
21(4)
An Audience for the Home
25(4)
Family Performance
29(4)
Family Meals
33(6)
A Land of Duties and a Land of Beauty
39(6)
Architecture and Manners
45(8)
The Common Ground of Domesticity
53(2)
The Housewife's Laboratory
55(40)
Domestic Knowledge in the Schools
55(7)
Reforming Kitchens
62(6)
Hygiene and the Bounded Space of the Home
68(5)
Home Cooking and the Market
73(5)
Gas Cooking and Civilization
78(3)
Economy, Efficiency, and the Body
81(14)
Domestic Interiors and National Style
95(37)
Mass Marketing and the Idea of Taste
95(5)
Recoding Interiors
100(7)
A National Style in Interiors
107(4)
Architects and Style
111(7)
Furniture as a New System of Goods
118(2)
Art and Decor
120(6)
Style in the Creation of a Furniture Market
126(4)
Liberated Taste
130(2)
Landscapes of Domesticity
132(30)
The Railroad Company as Cultural Entrepreneur
132(5)
A Class-Based ``Tokyo Style''
137(4)
Healthy Areas
141(7)
A Taste for the Country
148(2)
Selling Domesticity
150(8)
The Economy of Domesticity and Desire
158(4)
Middle-Classness and the Reform of Everyday Life
162(41)
Emergence of a Mass Society
162(2)
The Nation, the State, and the Middle-Class Home
164(6)
The Housing Problem and the Definition of Middle-Classness
170(4)
The Social Turn in Architecture
174(5)
``Reconstruction'' and Postwar Social Policy
179(2)
The Everyday Life Reform Movement
181(3)
Critics of the League
184(3)
Varying Constructions of Everyday Life Reform
187(7)
The Culture Life
194(4)
Between Science and Social Norms
198(5)
Cosmopolitanism and Anxiety: Consumers of the Culture Life
203(25)
The Dream of Cosmopolitan Modernity
203(3)
The Culture Consumer's Cosmopolitanism
206(6)
Cosmopolitanism and Empire
212(5)
The Threat of Cosmopolitanism
217(4)
Class Anxieties
221(5)
Dream and Reality
226(2)
Culture Villages: Inscribing Cosmopolitanism in the Landscape
228(35)
Summer 1922, a Point of Arrival and a Point of Departure
228(5)
Culture in the Landscape
233(13)
Modern Conveniences
246(3)
An American Suburban Idyll
249(4)
Tokyo's New Suburbanites
253(5)
Suburban Neighborhood Sketches
258(2)
Summer 1922: Commodification and Utopia
260(3)
House Design and the Mass Market
263(25)
The Architect as Intermediary
263(8)
State Institutions and the Mediation of Architects in Vernacular Building
271(5)
Sources of Culture House Design
276(7)
A Native Textual Tradition Responds
283(4)
A Changed Field of Production
287(1)
Domestic Modernism
288(34)
The Visibility of the Culture House
289(5)
Homeownership and Personal Expression
294(4)
The Utopian Everyday
298(6)
Fusing East and West
304(3)
Material Metaphors
307(7)
Native Style
314(4)
Universalism and Pastiche
318(4)
The Culture Life as Contested Space
322(31)
The Depreciation of Culture
322(5)
House Design as a Field of Cultural Competition
327(6)
Practical Settings
333(2)
Artist, Reformer, Cultural Intermediary
335(4)
The Dangerous Seductions of the Culture Life
339(5)
Feminine Taste and the Culture Life Contest
344(6)
Everyday Life in Question
350(3)
Conclusion: Inventing Everyday Life
353(28)
The Site of Seikatsu
353(4)
A Domesticity Built of Goods and Practices
357(3)
Reform Discourse as Cultural Capital
360(3)
Cultural Intermediaries
363(2)
The Problem of Borrowing
365(3)
Consumer Education
368(1)
The Settling of Modern Forms
369(3)
Postwar Homes
372(3)
Postwar Houses
375(6)
Reference Matter
Notes 381(54)
Bibliography 435(34)
Index 469

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