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9780823079544

How to Make It in the New Music Business : Lessons, Tips and Inspiration from Music's Biggest and Best

by
  • ISBN13:

    9780823079544

  • ISBN10:

    0823079546

  • Format: Trade Paper
  • Copyright: 2004-05-01
  • Publisher: Billboard Books
  • Purchase Benefits
List Price: $19.95

Summary

In How to Make it in the New Music Business, author Robert Wolff welcomes you to today's new high-tech digital universe by taking you to school. In 13 lessons, Wolff teaches you why you no longer have to play by old music business rules. Offering information, inspiration, and advice, Wolff and his famous friends show you how to take complete control over your music, your product, and your dream Book jacket.

Author Biography

Robert Wolff is the president of The Creative Syndicate, an international music, media, and publishing company, and was the producer and co-writer of the award-winning soundtrack for Bruce Lee: In His Own Words

Table of Contents

Introduction 13(8)
Part 1: Welcome to the New Music Business
21(74)
Old School vs. New Reality: The Digital Revolution Levels the Playing Field
22(13)
Welcome to the Old School Music Business: What Your Record Earns and What You Get to Keep
23(6)
Start with the Royalty Rate
23(1)
Here Come the Deductions
24(3)
What's Left?
27(1)
Now Consider an Even Worse Scenario
28(1)
Welcome to the New Reality
29(6)
New School vs. Old School: Your Decisions vs. Corporate Structures
29(1)
New School vs. Old School: Home Studio vs. Big Studio
30(1)
New School vs. Old School: Internet Radio vs. Traditional Radio
31(1)
New School vs. Old School: Your Label vs. Their Label
32(1)
New School vs. Old School: Your Marketing vs. Their Marketing
32(1)
New School vs. Old School: Your Profits vs. Their Profits
33(1)
New School vs. Old School: Your Control vs. Their Control
33(2)
Radio and Records: How to Play the Game
35(12)
The Radio/Record Company Dance
35(5)
Making Radio Work for You
40(7)
Pay-for-Play
41(1)
Basic Calls to Action
42(1)
Another Call to Action: The Power of 200 Letter and Request
43(1)
Create the Right Ad and Start Small
44(3)
The Illusion of Needing a Record Deal: Courtney Love's Real-World Wake-Up Call
47(16)
Courtney Does the Math on Record Contracts
48(2)
Artists, Copyright Law, and the RIAA
50(2)
Technology Is Not Piracy
52(2)
Artists Have Options
54(2)
Equity for Artists
56(1)
Music Is a Service to Its Customers
57(1)
New Models for the Record Business
58(1)
An Open Letter to Steve Case
58(1)
Corporate Sponsorships
59(1)
Money as Incentive
60(6)
In Conclusion
66
A View from Both Sides of the Fence: Steve Lukather on What's Right and What's Wrong with the Music Business
63(12)
Lukather on the Music Business, Yesterday and Today
64(5)
Musicians and Their Craft
69(2)
Signing with a Major Label or an Independent
71(1)
Keeping It Real
72(1)
Making a Hit Record
73(1)
Enjoying Your Gift of Music
74(1)
Building Your A-Team: Who You Need and Who You Don't
75(20)
Attorneys
75(12)
It's All about Billable Hours
76(2)
Finding and Hiring the Right Attorney
78(1)
Get It in Writing
79(2)
Negotiating a Fee
81(1)
Setting Deal Parameters
82(1)
When You Need an Attorney---And When You Don't
83(2)
Great Advice and Free Stuff You Can Get in Seconds
85(2)
Good CPAs: Worth Their Weight in Gold
87(4)
A Cautionary Tale
87(3)
Tracking Expenses on Your Own
90(1)
Agents: Do You Really Need One?
91(4)
Part 2: Writing Your Songs, Getting Your Sound, and Mixing, Mastering, and Recording Your Music
95(120)
It's All About the Song: Advice and Inspiration from Diane Warren
96(9)
Diane on Starting Out
97(2)
The Big Break
99(1)
The Learning That'll Never End
99(1)
The Diane Warren Songwriting Process
100(1)
Protect Yourself and Your Music
101(1)
Radio and the Music Business Today
102(1)
A Song Is a Part of Who You Are
103(2)
Developing Your Sound: Advice from Bob Bradshaw
105(17)
Bob Bradshaw on Starting Out
106(2)
Great Combinations = Great Sounds
108(1)
The Bob Bradshaw Sound Philosophy
108(3)
Getting a Great Sound
111(1)
Amps and Speakers: The Keys to a Great Sound
112(4)
Getting a Professional Sound on a Modest Budget
116(1)
Going the Custom Route
116(1)
Twenty Ways to Get Great Sounds
117(5)
Finding the Best Recording and Creating Platform: Using What the Pros Use
122(62)
Your Computer: The Hub of Your System
123(1)
Your Computer/Audio Interface
124(2)
Digital Audio Workstations (DAWs)
126(18)
Digidesign Pro Tools
127(4)
Motu Digital Performer
131(4)
Emagic Logic
135(3)
Steinberg
138(6)
Plug-ins
144(33)
Ableton Live
145(2)
Antares
147(3)
Cycling '74 pluggo 3
150(1)
IK Multimedia
151(2)
Motu MachFive
153(2)
Native Instruments
155(5)
Propellerhead
160(3)
Sibelius
163(4)
Sonic Solutions
167(2)
Spectrasonics
169(3)
Steinberg
172(2)
Tascam GigaStudio
174(2)
Waves
176(1)
Outboard Gear, Sound Controllers, and Mixers
177(2)
Sound Controllers
178(1)
Mixers
178(1)
Storage Systems
179(5)
Tape Storage
179(1)
Hard Disk Storage
180(4)
Mixing Your Music: Advice from Bob Clearmountain
184(19)
Bob on Starting Out
185(2)
Being Successful in Music Is Doing the Best You Can
187(1)
A Constantly Changing Approach to Recording and Mixing Music
188(2)
The Bob Clearmountain Mixing Process
190(2)
It Doesn't Take a Lot of Money to Mix Great-Sounding Records
192(5)
Bob Clearmountain's Mix This! Studio Equipment List
197(4)
On How Long It Should Take to Make a Record
201(1)
How Making Music and Records Has Changed
201(2)
Mastering Your Music: Advice from Bob Ludwig
203(12)
Bob on Starting Out
204(1)
The Music Business, Yesterday and Today
205(1)
The Importance of Mixing in the Recording Process
206(1)
The Importance of Mastering in the Recording Process
207(3)
The Biggest Mistakes People Make in Recording
210(1)
Tips on Setting Up a Recording Studio Workstation and Recording Platform
211(1)
Some Advice on Internet and Remote Broadcasting
212(1)
The Future of Recording
213(2)
Part 3: Your Business in the New Music Business
215(32)
Launching the Business of You, Inc.: Five Steps to Incorporation
216(11)
The Benefits of Incorporation
216(5)
Tax Advantages
217(2)
Other Advantages
219(2)
Step One: Determine the Type of Business You Want
221(1)
Step Two: Choose a Business Name
222(1)
Step Three: Get Good Advice
222(2)
Step Four: File with the IRS
224(1)
Form SS-4
224(1)
Form 2553
225(1)
Step Five: File a Business in My State
225(1)
After Incorporating
226(1)
Real-World New Music Business Boot Camp: What You Need to Know about Copyrights, Music Publishing, and Licensing
227(20)
The Get Smart Quick Guide to Copyrights
228(4)
Your Copyright Is All Yours
229(1)
How to Copyright Your Work in Three Easy Steps
230(1)
Copyright Issues Regarding Employment
231(1)
The Basic Ins and Outs of Music Publishing
232(8)
How Music Publishers Generate Revenue
233(2)
Writer-Publisher Relationships
235(1)
How Your Publisher Works for You
236(2)
Administrative Agreements
238(1)
Negotiating the Best Agreement
239(1)
Forming Your Own Music Publishing Company
240(2)
Joining the Right Organizations
241(1)
Licensing and Protecting Your Work
242(5)
Key Points in a Licensing Agreement
243(4)
Part 4: Marketing, Selling, and Distributing Your Music All Over the World: Tapping into the Big Money Potential of Niche Markets, the Internet, and Webcasting
247(22)
Premiering Your Music: Three Steps to Broadcasting and Selling Your Music to a Global Audience
248(21)
Step One: Get a Domain Name
249(4)
Step Two: Get a Web Site
253(2)
Decide on the Basics: Size and Layout
254(1)
Personalizing Your Site
254(1)
Go Global
255(1)
Step Three: Begin Broadcasting Your Music
255(9)
Personalize Your Music and Message
257(1)
Know Who's Listening to Your Music
258(1)
Learn How to Promote Your Music
259(1)
Select the Broadcast Package Best Suited to Your Needs
259(1)
Create Your Internet Radio Station
260(1)
Questions about Internet Broadcasting
260(4)
Promoting and Selling Your Music and Web Site
264(2)
Use Search Engines and Metatags to Direct Traffic to Your Site
264(1)
Create Tie-ins with Other Sites and Companies
265(1)
Associate Yourself with a Powerful Brand
265(1)
Do Deals with Other Web Sites
265(1)
Sell Your Music on the Internet
265(1)
Sell All Forms of Your Music on Your Site
266(1)
Cool Ways to Record, Send, and Receive Music from Anyone, Anywhere, Anytime
266(3)
Lessons of Inspiration
269(13)
Learning from Greatness: The Tommy Tedesco Story
269(3)
On Selling Your Creative Ideas to Noncreative People
272(1)
On How to Make Yourself Wanted
273(2)
Shattering the Myth of the Must-Have Music Town: The Studio on Music Row
275(1)
On What Inspires Greatness
276(2)
On Getting to Where You Want to Go and Suprising Ways It Can Inspire You
278(4)
Index 282

Supplemental Materials

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