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9780672327513

How To Use Adobe Photoshop CS2

by
  • ISBN13:

    9780672327513

  • ISBN10:

    0672327511

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2006-01-01
  • Publisher: Sams
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List Price: $29.99

Summary

Master the basics of Photoshop with visually appealing examples and simple - to - follow lessons.

Author Biography

Daniel Giordan is the design director of AOL Web Properties, coordinating the publishing designs for online properties such as Netscape, CompuServe, MapQuest, AIM, ICQ, and others.

Table of Contents

Getting Started with Photoshop
4(56)
Welcome to Photoshop, Bridge, Camera Raw, and ImageReady
6(2)
How to Use the Toolbox
8(2)
How to Use the Menu Bars
10(4)
How to Use Photoshop and ImageReady Palettes
14(2)
How to Use the Color Picker
16(2)
How to Select a Color
18(2)
How to Browse Files in Bridge
20(2)
How to Use Rulers, Grids, and Guides
22(2)
How to Use Color Management
24(6)
How to Set Photoshop Preferences
30(12)
How to Set ImageReady Preferences
42(8)
How to Set Bridge Preferences
50(8)
How to Set Camera Raw Preferences
58(2)
Optimizing Photoshop Projects
60(18)
How to Use Multiple Views
62(2)
How to Undo with the History Palette
64(2)
How to Create Custom Tool Presets
66(2)
How to Create Custom Keyboard Shortcuts
68(2)
How to Use the Preset Actions
70(2)
How to Create Custom Actions
72(2)
How to Set Up Batch Processing Options
74(2)
How to Optimize Color Files for Printing
76(2)
Selection Techniques
78(18)
How to Select Geometric Areas
80(2)
How to Use the Polygonal Lasso Tool
82(2)
How to Select by Color Range
84(2)
How to Use Quick Mask
86(2)
How to Convert Selections to Paths
88(2)
How to Modify Selections
90(4)
How to Save and Load Selections
94(2)
Working with Tone
96(20)
How to Measure and Compare Pixel Values
98(2)
How to Optimize the Tonal Range
100(2)
How to Improve Contrast with Curves
102(2)
How to Improve Contrast with Shadow/Highlight
104(2)
How to Use the Dodge, Burn, and Sponge Tools
106(2)
How to Sharpen Images
108(2)
How to Use Smart Sharpen
110(2)
How to Use Blur to Sharpen
112(2)
How to Convert Images to Grayscale
114(2)
Working with Color
116(14)
How to Make Global Color Corrections
118(2)
How to Use the Match Color Command
120(2)
How to Correct a Range of Colors
122(2)
How to Use the Color Replacement Tool
124(2)
How to Build Duotones for the Web
126(2)
How to Build Duotones, Tritones, and Quadtones for Print
128(2)
Image Editing Basics
130(16)
How to Resize Images
132(2)
How to Add Canvas
134(2)
How to Crop an Image
136(2)
How to Flip and Rotate an Image
138(2)
How to Warp an Image
140(2)
How to Silhouette an Image
142(2)
How to Use the Healing Brush
144(2)
Drawing and Painting with Color
146(26)
How to Paint an Image
148(2)
How to Erase an Image
150(2)
How to Erase a Background
152(4)
How to Use the History Brush
156(2)
How to Use the Clone Stamp
158(2)
How to Draw Graphic Shapes
160(2)
How to Build a Custom Brush
162(4)
How to Use the Pattern Maker
166(2)
How to Apply Gradients
168(2)
How to Create Custom Gradients
170(2)
Using Type
172(14)
How to Add Type to an Image
174(2)
How to Create 3D Text
176(2)
How to Create Typographic Style Sheets
178(2)
How to Build Filtered Text Effects
180(2)
How to Warp Text
182(2)
How to Set Text on a Path
184(2)
Using Paths
186(14)
How to Create a Straight-Edge Path
188(2)
How to Create a Curved Path
190(2)
How to Edit a Path
192(2)
How to Convert a Path to a Selection
194(2)
How to Stroke Paths
196(2)
How to Create Clipping Paths
198(2)
Working with Layers
200(22)
How to Create and Move Layers
202(2)
How to Link Layers
204(2)
How to Create Clipping Masks
206(2)
How to Create Layer Groups
208(2)
How to Create Smart Objects
210(2)
How to Transform Layers
212(2)
How to Create Adjustment Layers
214(2)
How to Add a Layer Mask
216(2)
How to Merge and Flatten Layers
218(2)
How to Create Layer Comps
220(2)
Digital Photography Features
222(16)
How to Build a Contact Sheet
224(2)
How to Make Picture Packages
226(2)
How to Use the Red-Eye Tool
228(2)
How to Reduce Noise
230(2)
How to Build Panoramas
232(2)
How to Organize Images with Custom Metadata
234(2)
How to Work with Camera Raw Images
236(2)
Building Web Files
238(26)
How to Preview Files in Browsers and Platforms
240(2)
How to Build GIF Files for the Web
242(2)
How to Optimize GIF Color Sets
244(2)
How to Create a GIF Transparency
246(2)
How to Build JPEG Files for the Web
248(2)
How to Optimize Files with Variable Compression
250(2)
How to Slice Images for the Web
252(2)
How to Build Imagemaps
254(2)
How to Build Filter-Based GIF Animations
256(4)
How to Build JavaScript Rollovers
260(2)
How to Build a Web Gallery
262(2)
Special Effects
264(28)
How to Use Blending Modes
266(2)
How to Build a Glow Effect with Stroke Path
268(2)
How to Create Lighting Effects
270(2)
How to Apply a Radial Blur
272(2)
How to Apply a Ripple Effect
274(2)
How to Add a Lens Flare
276(2)
How to Add Noise Texture
278(2)
How to Use the Fibers Filter
280(2)
How to Distort an Image with Liquify
282(2)
How to Use the Filter Gallery
284(2)
How to Add Texture
286(2)
How to Create a Halftone Pattern
288(2)
How to Use the Vanishing Point Filter
290(2)
Glossary 292(8)
Index 300

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Introduction IntroductionThe history of image-editing applications should be divided into two categories: BP and AP (Before Photoshop and After Photoshop). Before Photoshop, various bitmap applications were available, some of which were very good. There was Pixel Paint Pro, Studio 8, Digital Darkroom, and of course MacPaint. Like dinosaurs facing extinction, all these applications faded away after the comet called Photoshop fell to earth in the late 1980s.I am told that Photoshop got its start in 1987 as a personal project of Thomas Knoll (a doctoral candidate in computer science at the University of Michigan). Thomas Knoll wrote a programming routine to display grayscale images on a black-and-white monitor. Thomas showed the program to his brother, John Knoll, who at the time worked at Industrial Light and Magic (the special-effects studio started by George Lucas). Intrigued by the possibilities of this program, John asked Thomas to help him write a program for processing digital image files. The brothers expanded the program to include color capabilities, soft-edge masks, plug-in filter support, and many of the features that became the foundation for Photoshop's success. This was at a time when graphic file formats were all over the map and PostScript had already begun to take shape in the marketplace to help standardize a solution to many of the problems facing the computer graphics world. Photoshop was unique in its mathematical approach to images--rather than a program that simply pushed pixels around, everyone saw Photoshop as another means to promote PostScript and printing. Little did they realize the influence it would later have, especially because more people take photographs than use line illustrations.One could argue that Photoshop is the most influential facilitator for the growth of digital graphics since the Macintosh. And although the Mac got us started in the mid-1980s, Adobe has kept things moving forward with interface standards and cross-platform compatibility that make graphics accessible to just about every computer in the world. This universality has made Photoshop the core application driving new advances in the computer graphics world. Photoshop combines with After Effects for professional video editing, with Quark and InDesign for industry-standard page layout, and with Illustrator and FreeHand for desktop illustration. In all these instances, Photoshop sits right in the middle. Photoshop also drives the advancement of digital photography and professional web design.It was the boom in web design books in the early 1990s that prompted Adobe to launch a complementary application to Photoshop called ImageReady. Although Photoshop was the creative powerhouse, ImageReady excelled in prepping images for the Web: compressing file sizes; converting colors; and building clean, concise animations. ImageReady also featured a bare-bones set of image-editing tools for basic image editing.Because this book covers Photoshop CS2, it also addresses how ImageReady supports graphic design workflow and integration with Photoshop, especially where web design is concerned. Therefore, you will see ImageReady written into some of the task instructions--and even featured in a few standalone tasks. Because of the redundant feature set created when they were separate programs, some of the tasks described for Photoshop can be executed in virtually the same way in ImageReady.And another thing: Because Adobe does such an excellent job of building cross-platform applications, you should not be concerned that most of the screen shots in the book are Windows based. Everything works the same on the Mac (except for the keystrokes, which I've identified for both systems).Whether you're working with ImageReady or Photoshop, this book is designed to get you up and running quickly, with straightforward so

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