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9780823079483

I Don't Need a Record Deal! : Your Survival Guide for the Indie Music Revolution

by
  • ISBN13:

    9780823079483

  • ISBN10:

    0823079481

  • Format: Trade Paper
  • Copyright: 2005-06-01
  • Publisher: Billboard Books

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Summary

Thousands of people want to be recording stars, but lack a deal with a record label. While today's musicians have all the tools they need to build a recording career on their own-pro-tools for inexpensive recording and home recording, marketing on the Internet, and opportunities to license their music for use in films, television, advertising, and video games-they don't always have the skills to use them.I Don't Need a Record Deal!is a completely comprehensive step-by-step guide to the new world of independent recording. Drawing on interviews from over 150 musicians and industry pros,Schwartzshows readers how to put out a CD and market it through the media, radio, clubs, and retail. But more importantly, she shows musicians how to create a business around music and to develop opportunities for earning a living. Truly a survival guide for novice and professional musicians alike,I Don't Need a Record Deal!brings information on developing one's own independent music career together, adding new resources and taking the reader into the future of music. The only book that gives independent musicians everything they need to have a sucessful career Author's previous Billboard Books,Start and Run Your Own Record Label(0-8230-8433-7) andThe Real Deal(0-8230-8405-1) now in their second editions, sold 30,000 and 20,000 copies respectively in three years in their first editions Over 150 interviews

Author Biography

DAYLLE DEANNA SCHWARTZ is a music industry consultant, self-empowerment counselor, and successful author of many books including I Don’t Need a Record Deal and The Real Deal: How to Get Signed to a Record Label. She has appeared on more than 300 television and radio shows, including Oprah and Howard Stern, and has been quoted in many publications, such as the New York Times and Billboard. Schwartz lives in New York City.

Table of Contents

Introduction 15(4)
Meet the Players
19(13)
Why Be Independent?
32(14)
You Can!
33(5)
Taking Control
38(3)
Major Label Exodus
41(1)
Would You Take a Label Deal? Maybe...
42(2)
Would You Take a Label Deal? No!
44(2)
Do You Have What It Takes to Be Independent?
46(12)
That Good!
47(1)
Fame vs. Earning a Living
48(1)
Flexing Your Indie Muscles
49(2)
Giving It Your All
51(3)
Balls!
54(4)
Ask and Ye Shall Receive
55(2)
The Powerful ``E'' Word: Embellish
57(1)
Me, Inc.
58(11)
Do You Wanna Make $$$?
59(1)
Giving Your Product Value
60(1)
Behaving as a Professional
61(3)
Packaging with Care
63(1)
Keeping Records
63(1)
Creating a Plan
64(1)
Getting Legal Protection
65(1)
Arming Yourself with Knowledge
66(2)
Insuring Your Business
68(1)
Indie Teammates
69(9)
Networking 101
69(4)
Communicating for Success
71(1)
Creating Alliances
72(1)
Your Performing Team
73(2)
Your Business Team
75(3)
Mental Independence
78(13)
Using Your Power Tool: Faith
78(2)
Building Confidence
80(3)
Everybody Doesn't Have To Love You
83(1)
Hangin' In There
84(5)
Creating a Support System
89(1)
Stoking Your Musical Passion
89(2)
Recording Independence
91(6)
Going Into the Studio
91(2)
Using New Technology
93(1)
Recording at Home
94(3)
Healthy Independence
97(10)
Good Health = Prosperity
97(2)
Beating Exhaustion
99(1)
You Are What You Eat!
99(1)
Controlling Alcohol and Drugs
100(1)
Protecting Your Hearing
101(1)
Avoiding Injury
101(2)
Caring For Your Chops
103(3)
Internet Health Resources
106(1)
Indie Resources
107(15)
Sponsorships and Promotions
107(6)
Organizations
113(6)
Songwriter Support
115(3)
Local Support
118(1)
Legal Support
119(1)
Publications
119(3)
Independent Street Marketing
122(9)
Showing Your Fans Love
122(2)
Free Music Samples
124(2)
Street Team Power
126(2)
Creating Opportunities
128(3)
Creating an Indie Buzz
131(21)
Buzzin'
131(2)
Working the Press
133(1)
DIY Publicity
134(7)
Getting Radio Play
141(7)
Promoting Your Tour
148(4)
The Indie Store
152(11)
CDs and Merchandise Pay Bills!
152(2)
Marketing Your CD
154(5)
Alternative Marketing
159(2)
Keeping Track of Sales
161(2)
Buzzing Online
163(11)
Organizing Your Website
163(3)
Selling CDs and Merchandise Online
166(4)
Online Promotional Opportunities
170(2)
Creating an Online Community
172(2)
Marketing Your Talents for Cash
174(12)
Branching Out
174(1)
Getting the Jobs
175(2)
Teaching
177(1)
Session Work and Jingles
178(4)
Music Production
182(1)
Weddings and Bar Mitzvahs
183(1)
Charity Projects
184(2)
Songwriting Options
186(14)
Protecting Yourself
186(3)
Writing Songs That Sell
189(3)
Making Contacts
192(1)
Writing for Others
193(4)
Getting a Publishing Deal
193(2)
Cowriting
195(2)
Songwriting Contests
197(3)
Licensing and Other Music Income
200(22)
Getting Started
201(4)
Educating Yourself
203(1)
Music for Free?
204(1)
The Serious Biz End
205(2)
Film and TV
207(7)
Advertising
214(2)
Video Games
216(1)
Music Libraries
217(3)
Alternate Markets
220(2)
Performance Opportunities
222(22)
Clubs
222(4)
Performing Covers
223(1)
Open Mics
224(1)
Listening Rooms
225(1)
College Markets
226(6)
Children's Events
232(1)
Festivals
233(2)
House Concerts
235(2)
Busking: Playing in Public Places
237(2)
... And More!
239(3)
Creating Your Own Venue
242(2)
Putting Together a Domestic Tour
244(20)
Lessons from the Road
244(6)
Band vs. Solo
248(1)
Should I Move to a Major City?
249(1)
Written Agreements
250(2)
If Only I Had a Booking Agent!
252(4)
Finding Gigs in Other Regions
256(4)
Getting On the Road
260(4)
Tackling International Markets
264(25)
What Music Works Where?
265(4)
Songwriting Biz
269(1)
Music Conferences
270(3)
Getting a Record Out
273(5)
Distribution
273(1)
Licensing
274(4)
International Touring
278(7)
International Promotion
285(4)
Some Final Advice
289

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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