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Acknowledgments | p. vii |
Introduction | p. 1 |
A Theoretical Overview of Image-based Research | p. 7 |
Visual Anthropology: Image, Object and Interpretation | p. 9 |
An Argument for Visual Sociology | p. 24 |
Film-making and Ethnographic Research | p. 42 |
'The Camera Never Lies': The Partiality of Photographic Evidence | p. 60 |
Psychology and Photographic Theory | p. 69 |
Visual Sociology, Documentary Photography, and Photojournalism: It's (Almost) All a Matter of Context | p. 84 |
The Status of Image-based Research | p. 97 |
Images in the Research Process | p. 113 |
Photographs within the Sociological Research Process | p. 115 |
Remarks on Visual Competence as an Integral Part of Ethnographic Fieldwork Practice: The Visual Availability of Culture | p. 131 |
Photocontext | p. 148 |
Media Convergence and Social Research: The Hathaway Project | p. 162 |
The Application of Images in Child Abuse Investigations | p. 176 |
Image-based Research in Practice | p. 195 |
Picture This! Class Line-ups, Vernacular Portraits and Lasting Impressions of School | p. 197 |
Interpreting Family Photography as Pictorial Communication | p. 214 |
Pupils Using Photographs in School Self-evaluation | p. 235 |
Cartoons and Teachers: Mediated Visual Images as Data | p. 252 |
Images and Curriculum Development in Health Education | p. 263 |
Making Meanings in Art Worlds: A Sociological Account of the Career of John Constable and his Oeuvre, with Special Reference to 'The Cornfield' (Homage to Howard Becker) | p. 284 |
Notes on Contributors | p. 307 |
Index | p. 311 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.