Acknowledgments | p. iv |
Introduction | p. 1 |
Making An Independent Film | p. 3 |
The Development Process | p. 9 |
Option/Purchase Agreement | p. 20 |
Publisher's Release | p. 28 |
Short-Form Option Agreement | p. 29 |
Short-Form Assignment | p. 31 |
Life Rights Agreement | p. 33 |
Writer Agreement | p. 35 |
Certificate of Engagement | p. 43 |
Deal Making | p. 45 |
Getting the Green Light | p. 53 |
Financing | p. 63 |
Finance Agreements | p. 77 |
International Film Distribution Agreement: Explanation of Provisions | p. 86 |
AFMA International Standard Terms | p. 106 |
Setting Up the Production | p. 137 |
Loanout Wraparound Agreement | p. 150 |
Artist's Inducement | p. 152 |
Hiring Directors | p. 153 |
Director Agreement (Form for DGA Director) | p. 163 |
Casting Directors: Hiring Actors | p. 167 |
Casting Director Agreement | p. 178 |
Actor Agreement | p. 184 |
Terms of Personal Services Engagement-Actor | p. 187 |
Screen Actors Guild, Inc. Minimum Freelance Contract Continuous Employment - Weekly Basis - Weekly Salary - One (1) Week Minimum Employment | p. 195 |
Day Player Agreement | p. 201 |
Producer Deals and Other Production Agreements | p. 207 |
Producer Agreement | p. 210 |
Terms of Personal Services Engagement (TOPSE 1.0) | p. 212 |
Crew Agreement | p. 220 |
Locations | p. 223 |
Location Agreement | p. 226 |
Releases | p. 229 |
Crowd Release | p. 231 |
Music in Film | p. 233 |
Synchronization and Performance License | p. 241 |
Composer Agreement | p. 243 |
Composer Certificate of Authorship | p. 246 |
Music Supervisor Agreement | p. 248 |
Profits | p. 261 |
Selling Your Completed Motion Picture | p. 273 |
Delivery | p. 283 |
Sample Delivery Schedule | p. 286 |
Digital Movie Making | p. 297 |
Key Issues in Digital Distribution | p. 307 |
The Last Scene and Closing Credits | p. 313 |
About the Authors | p. 315 |
Index | p. 317 |
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