List of Tables and Figures | p. ix |
Editor's Note | p. xi |
Acknowledgments | p. xiii |
Introduction: Inexorable Modernity Hiroshi Nara | p. 1 |
Art and Aesthetics | |
Potentially Disruptive: Censorship and the Painter Kawanabe Kyosai | p. 17 |
"Modernite in Art" Kojima Kikuo's Critique of Contemporary Japanese Painting, 1931-1940 | p. 49 |
The Ascent of Yoga in Modern Japan and the Pacific War | p. 69 |
Art and Ethics in Watsuji Tetsuro's Philosophy | p. 101 |
Theatre | |
Contesting Authority through Comic Disruption: Mixed Marriages as Metaphor in Postwar Kyogen Experiments | p. 129 |
An Aesthetic of Destruction Mishima Yukio's My Friend Hitler | p. 151 |
Remembered Idylls, Forgotten Truths: Nostalgia and Geography in the Drama of Shimizu Kunio | p. 163 |
Healing the (Metaphysically) Sick (Theatre) The Buddhist Ibsen in Christian Japan | p. 183 |
Literature | |
The Wild Geese Revisited Mori Ogai's Mix of Old and New | p. 201 |
Public Space and the Nature of Modern Fiction: Izumi Kyoka's Noble Blood, Heroic Blood | p. 217 |
Yokomitsu Riichi's Two Machines | p. 229 |
Index | p. 255 |
Contributors | p. 267 |
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