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Preface | |
Photographic Images: Some of the Contributors | |
Introduction | p. 1 |
Foremothers | |
The Oral Tradition | |
Excerpts from "Una Vieja Y Sus Recuerdos" | p. 39 |
Eufemia's Sopapillas | p. 42 |
An Old Native Custom: La Curandera | p. 43 |
Quiteria Outwits the Witch Nurse | p. 46 |
Las Tres Gangozas (The Three Sisters) | p. 46 |
The Written Tradition | |
Asking For the Bride | p. 47 |
The Field Crosses of the Farmers | p. 50 |
The Herb Woman | p. 52 |
Shadows of the Past - VI. Memorias | p. 57 |
Flores Secas / Dried Flowers | p. 63 |
Quinceanera / Sweet Fifteen | p. 65 |
Drama en Mananitas / Drama in the Early Mornings | p. 66 |
Maria Esperanza | p. 68 |
Simplicidades / Simplicities | p. 69 |
A Elena / To Elena | p. 71 |
School | p. 71 |
Self and Identity | |
So Not To Be Mottled | p. 78 |
My Name | p. 79 |
Toma de nombre / Taking of Name | p. 79 |
By Your True Faces We Will Know You | p. 81 |
El dia de la chicana | p. 82 |
Soy hija de mis padres... / I am the daughter of my parents | p. 83 |
La Loca de la Raza Cosmica | p. 84 |
Crisis de identidad / Crisis of Identity | p. 88 |
Oaxaca, 1974 | p. 90 |
The Gift? | p. 91 |
Chicana Studies | p. 92 |
To Other Women Who Were Ugly Once | p. 93 |
Women Are Not Roses | p. 94 |
Legal Alien | p. 95 |
To live in the Borderlands means you | p. 96 |
Mestiza | p. 97 |
ever since | p. 101 |
I sing to myself | p. 102 |
Progenitor | p. 104 |
From "A Letter to Alicia" | p. 105 |
Whole | p. 106 |
Desert Women | p. 107 |
Self and Others | |
My Mother Pieced Quilts | p. 113 |
ser conforme | p. 114 |
Haciendo Tamales | p. 115 |
Beneath the Shadow of the Freeway | p. 116 |
mi mama se sentaba / my mother would sit | p. 118 |
For the Color of My Mother | p. 119 |
Baby Doll | p. 120 |
The Album | p. 121 |
Section 3 from Mother, May I? | p. 122 |
Mama Tona | p. 124 |
The Moths | p. 126 |
Mourning a Sister's Death | p. 130 |
To a Little Blond Girl of Heber, Califas | p. 131 |
Wimpy's Wake | p. 132 |
Arturo Burro | p. 135 |
mente joven... | p. 136 |
El sueno de las flores | p. 137 |
On Meeting You in Dream and Remembering Our Dance | p. 138 |
Chon | p. 139 |
after the name-giving | p. 140 |
To My Daughter | p. 141 |
Nuestros mundos / Our Worlds | p. 143 |
Plot | p. 144 |
The Toltec | p. 145 |
South Sangamon | p. 146 |
The Jewelry Collection of Marta la Guera | p. 146 |
Do You Take? | p. 150 |
Para un Revolucionario | p. 151 |
A Woman Was Raped | p. 152 |
For Virginia Chavez | p. 154 |
Crow | p. 156 |
Spaces | |
La Casa / The House | p. 161 |
kitchen talk | p. 163 |
New Year's Eve | p. 163 |
Section 5 from Mother, May I? | p. 164 |
Spaces like the Barrio | p. 165 |
The Truth in My Eves | p. 166 |
The Journey | p. 167 |
was fun running 'round descalza | p. 171 |
Caminitos | p. 173 |
Roads | p. 175 |
The Valley of the Sun | p. 176 |
Fecundating | p. 180 |
El retorno | p. 180 |
Drought: San Joaquin Valley, Winter | p. 183 |
La Gran Ciudad | p. 183 |
The Border | p. 185 |
tia juana u glisten | p. 187 |
tavern taboo | p. 188 |
Myths and Archetypes | |
Aztec Princess | p. 195 |
Marina | p. 196 |
La Malinche | p. 198 |
La Malinche a Cortez y Vice Versa / La Malinche to Cortez and Vice Versa | p. 200 |
Somos la Tierra | p. 202 |
Malinche's Discourse | p. 203 |
Malinche Past: Selection from Paletitas de guayaba | p. 207 |
Malinchista, A Myth Revised | p. 212 |
Como Duele | p. 213 |
Go Away from My Window, La Llorona (1) | p. 215 |
La Llorona: At Sixteen; Portrait by the River | p. 216 |
La Llorona | p. 218 |
Witches' Blood | p. 219 |
The Three Sisters | p. 220 |
Hands | p. 222 |
1910 | p. 227 |
Josefina's Chickens | p. 228 |
Adelita | p. 231 |
Guerrillera Soy / I Am a Warrior Woman | p. 232 |
Sor Juana | p. 233 |
444 Years After | p. 256 |
Little Miracles, Kept Promises | p. 257 |
Gullible | p. 266 |
Cuento de Hadas / Fairy Tale | p. 267 |
Mi Reflejo | p. 268 |
Writers on Language and Writing | |
A Poet's Job | p. 276 |
It Is My Nature | p. 277 |
Creations | p. 277 |
Cuentista: Story-teller | p. 278 |
Clever Twist | p. 278 |
Restless Serpents | p. 279 |
Como la semilla / Like the Seed | p. 280 |
Protocolo de verduras / The Protocol of Vegetables | p. 280 |
Para el consumidor / For the Consumer | p. 282 |
Maybe a Nun After All | p. 283 |
Visions of Mexico While at a Writing Symposium in Port Townsend Washington | p. 284 |
Poem For The Young White Man Who Asked Me How I, An Intelligent, Well-Read Person Could Believe In The War Between Races | p. 286 |
Declaration on a Day of Little Inspiration | p. 287 |
Literary Wetback | p. 288 |
Refugee Ship | p. 293 |
Linguistic Terrorism | p. 293 |
Julieta's Muses | p. 295 |
They Are Laying Plans for Me - Those Curanderas | p. 296 |
Poema Inedito / Unpublished Poem | p. 297 |
Mi Poesia / My Poetry | p. 298 |
Dedicated to American Atomics II | p. 298 |
Lirica fanatica / Fanatic Lyric | p. 299 |
Desveladas inutiles / Useless Sleeplessness | p. 300 |
The Confession | p. 300 |
como embrujada | p. 303 |
Paradox | p. 303 |
Mango Says Goodbye Sometimes | p. 304 |
Growing-Up | |
Growing | p. 307 |
Aay Cucuy...! / "Ooooh! The Boogieman!" | p. 314 |
Nostalgia | p. 315 |
Pueblo, 1950 | p. 315 |
Elena at 5 Years | p. 316 |
Troublemaker (for all who ask what I plan to do with my degree) | p. 316 |
Excerpts from "Rosebud" | p. 317 |
How I Changed the War and Won the Game | p. 321 |
Velorio | p. 322 |
Evening in Paris | p. 324 |
Monarquia | p. 329 |
Para Teresa | p. 330 |
I Was a Skinny Tomboy Kid | p. 333 |
In the Toolshed | p. 335 |
Her Choice | p. 337 |
Celebrations | |
My Poetry | p. 343 |
Fire | p. 344 |
Movimiento / Movement | p. 345 |
Let Us Never Forget the Dance | p. 347 |
He was one of those special ones, she said | p. 348 |
The Ceremony of Orgasm | p. 350 |
Mielvirgen | p. 351 |
Spring Tonic | p. 352 |
Dream | p. 353 |
The Body as Braille | p. 353 |
Como lo siento | p. 354 |
Making Tortillas | p. 355 |
Bearded Lady | p. 356 |
Two Brothers | p. 356 |
Plumb | p. 357 |
Segments | p. 357 |
Emplumada | p. 358 |
'San Antonio Rose' Era Xicana | p. 358 |
Sin Ti Yo No Soy Nada / Without You I Am Nothing | p. 359 |
The Paris Gown | p. 360 |
Weeping With Laughter | p. 368 |
Bibliography | p. 371 |
Acknowledgments and Sources | p. 379 |
About the Contributors | p. 385 |
About the Editors | p. 393 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.