What is included with this book?
Acknowledgements | p. ix |
Why drama is important: a defence of the subject | p. 1 |
Creativity in approach | p. 3 |
Why teach drama? | p. 4 |
Creativity in problem solving | p. 5 |
Challenging perceptions | p. 5 |
Communication | p. 5 |
Role play (1) | p. 6 |
Considering classroom management | p. 9 |
Standards of work | p. 10 |
Exploring drama | p. 12 |
Icebreakers | p. 12 |
What's my name? | p. 12 |
The game show | p. 13 |
A name game | p. 13 |
Wink/murder | p. 14 |
The sandwich memory game | p. 14 |
Items from a bag | p. 14 |
'Whozon' | p. 15 |
The hello game | p. 15 |
Copy walk | p. 16 |
Rabbit and fox | p. 16 |
Truth or lies | p. 17 |
Talking and discussing | p. 17 |
Questions, questions | p. 18 |
Ape/rabbit/wizard | p. 19 |
Opposites | p. 20 |
Line up | p. 20 |
Fears | p. 20 |
Warm ups | p. 20 |
Use of space | p. 21 |
The small fish game | p. 21 |
Suggestions: let's … | p. 22 |
Eye on the ball | p. 22 |
Clap ball | p. 22 |
Piggy in the middle (two games) | p. 23 |
Piggy in the middle (2) | p. 23 |
Outer and inner circle | p. 23 |
The rain game | p. 24 |
Extra activity | p. 24 |
Word association | p. 24 |
Action changing | p. 24 |
Freeze and do | p. 25 |
The complete picture | p. 25 |
Everyone who … | p. 26 |
Mother, mother | p. 26 |
Statues | p. 26 |
Avoid eye contact | p. 27 |
Numbers game | p. 27 |
Improvisation | p. 27 |
Forum Theatre | p. 28 |
Still image | p. 30 |
Hot seating | p. 35 |
Cross-cutting | p. 38 |
Parallel cross-cutting û through mime and acting | p. 39 |
Cross-cutting ideas | p. 40 |
Stimulating drama | p. 42 |
Music | p. 42 |
Sound cues | p. 42 |
Symbols | p. 44 |
Television and film | p. 45 |
Writing for radio | p. 52 |
Scripting | p. 54 |
Elements of drama | p. 57 |
Characterization | p. 57 |
Bringing characters to life | p. 59 |
The emotions | p. 60 |
Thinking about voice | p. 60 |
Characters and jobs | p. 61 |
Rhythm | p. 62 |
Forms | p. 64 |
Contrasts | p. 64 |
Conventions | p. 66 |
Symbols (2) | p. 68 |
Drama as a medium | p. 69 |
Mime | p. 69 |
Group mime | p. 70 |
Emotions (2) | p. 70 |
Costume | p. 71 |
Masks | p. 72 |
Make-up | p. 75 |
Music (2) | p. 77 |
Sound effects | p. 78 |
Lighting | p. 78 |
'Mercy Beckensale - A Victorian Girl' | p. 80 |
Props and sets | p. 81 |
The stage manager | p. 85 |
Staging terms | p. 85 |
Working together | p. 87 |
Improvisation | p. 87 |
Drama games | p. 92 |
Students working together | p. 97 |
Reading and acting out full scripts | p. 101 |
A play in a day | p. 102 |
Engaging the students | p. 106 |
Word games | p. 106 |
Counting games | p. 106 |
Storytelling | p. 107 |
Tongue twisters | p. 110 |
Further games: forming groups | p. 111 |
Thought tracking | p. 112 |
Thought tunnel | p. 114 |
Soliloquies and monologues | p. 114 |
Seven deadly sins | p. 119 |
Drama across the curriculum | p. 123 |
The value of drama across the curriculum | p. 123 |
Drama and citizenship/PSHE | p. 123 |
Drama and English | p. 135 |
Drama and Geography | p. 149 |
Drama and Maths | p. 150 |
Drama and Science | p. 152 |
Drama and Religious Education | p. 154 |
Drama and History | p. 155 |
Choosing options, assessment and revision | p. 157 |
Summing it up | p. 157 |
Appendix: exam board specification/websites | p. 158 |
References | p. 160 |
Index | p. 161 |
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