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Introduction | p. 7 |
Film: Form, Aesthetics and Pedagogy | |
Irish film studies: twenty years on | p. 15 |
Sean Feeney to John Ford: a new angle on his authorship | p. 27 |
The woman sings: sound design and meaning in Hollywood cinema | p. 39 |
Beyond the spectacle: narratives of the videogame | p. 48 |
Children's naive theories of cinematic identification: a study of children's viewing of The Chronicles of Narnia: the lion, the witch and the wardrobe | p. 59 |
Practice-based PhD: a struggle against contemporary hierarchies? | p. 70 |
Imaging the unseen: some new directions in film and visual arts research | p. 78 |
Adaptation and remake: the sweet screen representation of Charlie and the Chocolate Factory | p. 87 |
Irish Items, Global Cinema | |
Caught in the Holy Cross fire: ethno-sectarian conflict in Ardoyne | p. 101 |
Radical conservatism in Patriot Games | p. 115 |
Time marches on: representations of 1930s Ireland in March of Time newsreels | p. 125 |
Trauma, narrative and subjectivity in Breakfast on Pluto | p. 140 |
From modernism to postmodernism: Neil Jordan's Mona Lisa | p. 150 |
Cymru's filmic pilgrimages 'up north': Northern Ireland as an obligatory 'Avalon' for Welsh filmmakers | p. 161 |
Mixed-race issues in American and French melodrama: an analysis of the Imitation of Life films (1934 and 1959) and Metisse (1993) | p. 171 |
Theme music in Chinese cinema: Visitors from the Ice Mountain (1963) | p. 181 |
Contributors | p. 189 |
Index | p. 191 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.