Joseph Beuys The Reader

by Mesch, Claudia; Michely, Viola; Danto, Arthur C.

• ISBN13: 9780262633512
• ISBN10: 0262633515
• Format: Paperback
• Copyright: 2007-08-17
• Publisher: The MIT Press

Summary

Twentieth-century artist Joseph Beuys (1921-1986)-legendary and self-mythologizing, enigmatic and controversial-remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming "Everyone is an artist," and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his work-performance art, drawing, painting, sculpture, installation-received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, "Style and Salvation in the Art of Beuys," Benjamin H. D. Buchloh's now classic 1980 essay, "Beuys, Twilight of the Idol," and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Burger, Irit Rogoff, and others, Joseph Beuys: The Readeris the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. Contributors: Joseph Beuys, Eugen Blume, Benjamin Buchloh, Peter Burger, Jean-Francois Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, and Dorothea Zwirner

Author Biography

Claudia Mesch is Assistant Professor at the School of Art, Arizona State University.

Viola Michely is a writer and curator and teaches art and philosophy at the August-Macke School, Bonn.

Arthur C. Danto is a Professor of Philosophy at Columbia University.

Viola Michely is a writer and curator and teaches art and philosophy at the August-Macke School, Bonn.

Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.

Thierry de Duve is Director of Studies, Association de préfiguration de l'Ecole des Beaux-Arts de la Ville de Paris.

Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, Under Blue Cup (all published by the MIT Press), and other books.

Claudia Mesch is Assistant Professor at the School of Art, Arizona State University.

Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.

Table of Contents

List of Illustrations	p. viii
Acknowledgments	p. xi
Foreword: Style and Salvation in the Art of Beuys	p. xiii
Editors' Introduction	p. 1
Beuys and his 'Challengers'
Breaking the Silence Jospeh Beuys on his 'Challenger,' Marcel Duchamp (1995)	p. 29
Beuys, Haacke, Broodthaers (1988)	p. 50
Beuys and Broodthaers	p. 66
Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001)
Letters as Works of Art	p. 88
Beuys and James Lee Byars (2000, excerpt)
Critics' Perspectives
Beuys: The Twilight of the Idol (1980)	p. 109
Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt)	p. 127
Joseph Beuys, or the Last of the Proletarians (1988)	p. 134
Beuys and the Limits of Iconography
Beuys and Romanticism (1986, excerpt)	p. 151
No to... Joseph Beuys (1997)	p. 170
Beuys, Art and Politics
'Questions? You have Questions?'	p. 177
Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996)
Every Man an Artist	p. 198
Talks at Documenta V by Joseph Beuys (1972, excerpt)
Institutionalizing Social Sculpture	p. 198
Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt)
Uberblick Series on the Parliamentary Election (1983, excerpt)	p. 218
Beuys and Postmodernism
Performance: Joseph Beuys (1985, excerpt)	p. 233
In the Shadow of Jospeh Beuys	p. 250
Remarks on the Subject of Art and Philosophy Today
Letter to Jean-Francois Chevrier (1997, excerpt)	p. 264
The Aesthetics of Post-History	p. 270
A German Perspective (1995, excerpts)
Issues of Reception
The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and
Artistic Assumptions (1998, excerpt)	p. 287
Joseph Beuys and the GDR	p. 304
The Individual as Political (1992)
Joseph Beuys and Surrealism (1997)	p. 320
Roundtable
Appendix: Keys Dates and Exhibitions	p. 325
Index	p. 328
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